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Young Vic
Address South Bank, the Cut
City Lambeth, London
Country  United Kingdom
Coordinates 51°30′12″N 0°06′27″W / 51.50323°N 0.10748°W / 51.50323; -0.10748Coordinates: 51°30′12″N 0°06′27″W / 51.50323°N 0.10748°W / 51.50323; -0.10748
Architect Haworth Tompkins
Capacity 420 Main house
160 Maria (studio)
80 Claire (studio)
Type Non-commercial resident company
Opened 1970
Rebuilt 2006 Haworth Tompkins
Production Repertory seasons
Website
www.youngvic.org

The Young Vic is a theatre on the Cut, located near the South Bank, in the London Borough of Lambeth. David Lan has been the theatre's artistic director since 2000. Its philosophy is to "produce great plays for great audiences now and in the future".

History[edit]

In the period after World War II a Young Vic Company was formed in 1946 by director George Devine[1] as an offshoot of the Old Vic Theatre School for the purpose of performing classic plays for audiences aged nine to fifteen.

This was discontinued in 1948 when Devine and the entire faculty resigned from the Old Vic, but in 1969 Frank Dunlop became founder-director of The Young Vic theatre with his free adaptation of Molière's The Cheats of Scapin, presented at the new venue as a National Theatre production, opening on 11 September 1970 and starring Jim Dale in the title role with designs by Carl Toms (decor) and Maria Bjornson (costumes).[2]

Initially part of the National Theatre, the Young Vic Theatre became an independent body in 1974.[3]

In the words of Laurence Olivier, then director of the National Theatre: "Here we think to develop plays for young audiences, an experimental workshop for authors, actors and producers." The aim was to create an accessible theatre which offered high quality at low cost in an informal environment. The aim was to appeal to young audiences, but this time not specifically to children.

Young Vic Theatre[edit]

Frank Dunlop completed creation of the theatre venue in 1970, a breeze-block building on The Cut constructed out of a former butcher's shop and an adjacent bomb-site. It was intended to last for five years, but has become permanent.

The auditorium, with a thrust stage, has a capacity of 420. The configuration can vary depending on the needs of each production.

In addition to the Young Vic's main house, there are now two smaller theatre spaces. The Maria, named after theatre designer Maria Bjornson, is the larger of the two with a capacity of 150. The Clare, named after the former artistic director of the Sheffield Crucible, Clare Venables, seats 70. Like the main house, both smaller theatres have flexible seating configurations which can be arranged to suit the production design. In the two smaller auditoriums seating is unreserved, with the actors performing in close proximity to the audience.[4]

The Young Vic primarily performs classic plays, but often in innovative productions. Many well-known actors have worked at the Young Vic including Ian Charleson, who made his memorable professional debut with the Young Vic 1972-74, and who played Jimmy Porter in Look Back in Anger and Hamlet in the first revival of Stoppard's Rosencrantz and Guildenstern Are Dead in 1973. Others include Vanessa Redgrave, Helen Mirren, Judi Dench, Timothy Dalton, Robert Lindsay, Willard White, John Malkovich, Michael Sheen and Arthur Lowe.

Quintessential rock band The Who held free, weekly concerts at the Young Vic in early 1971 in order to rehearse what would become their masterpiece album, Who's Next. One of these shows was released on the Deluxe edition of this album.

A memorial at the theatre's south-east corner commemorates the 54 people killed in 1941 while sheltering in the cellars of the former building on the site, during the Blitz.[5]

In 1982 the theatre hosted a Poetry Olympics, where comedian Pat Condell took part.[6]

Awards[edit]

2004 - Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre

2008 - Laurence Olivier Award for Best Musical Revival Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre

2013 - The Critics' Circle Peter Hepple Award for Best Musical: The Scottsboro Boys

Refurbishment 2004-06[edit]

The Clare

In 2003, the Young Vic launched a campaign to raise £12.5 million for a major reconstruction of its building and closed in 2004 for work to start.

Designed by architects Haworth Tompkins - also known for their refurbishment of the Royal Court Theatre, Regent's Park Open Air Theatre, and two temporary venues for the Almeida - and with Jane Wernick Associates as the structural engineers, and consulting engineers Max Fordham LLP designing the building services, the refurbishment was completed in October 2006.

The main auditorium has been left intact, but refurbished and technically enhanced. The butcher's shop has also been retained as the main entrance to the building and also the box office.

The remainder of the 1970s structure has been rebuilt to provide new foyers, dressing rooms, two studio theatres, and workshop spaces. An award of £5 million was received from the Arts Council of England.

The Young Vic re-opened on 11 October 2006, with a production of the community opera Tobias and the Angel; with music by Jonathan Dove and a libretto by David Lan.[7]

On 16 May 2007, the refurbished Young Vic won the RIBA London Building of the Year Award.[8] Following this award, the Young Vic was also shortlisted for the RIBA Stirling Prize on 27 July 2007.[9]

A rebranding exercise by Sense Worldwide in 2010 resulted in the abandonment of its 30-year-old "sit anywhere" policy and a new strapline, "It's a big world in here".[10]

Productions[edit]

March 2012 - February 2014[edit]

January 2011 - February 2012[edit]

September 2010 - January 2011[edit]

October 2009 - January 2010[edit]

May 2009 - August 2010[edit]

January 2009 - April 2009[edit]

  • King Lear by William Shakespeare. Direction Rupert Gould. With Pete Postlethwaite as King Lear.
  • The Indian Wants the Bronx by Israel Horovitz. Direction Daljinder Singh. Design Paul Wills.
  • Kafka's Monkey Based on A Report to an Academy by Franz Kafka. Adaptation Colin Teevan. Direction Walter Meierjohann. With Kathryn Hunter.[13]
  • Bay devised by the company with writer Joel Horwood. Direction Sarah Tipple.
  • After Dido Purcell's Dido and Aeneas in a new film and theatre piece. Direction Katie Mitchell.
  • You Can See the Hills written and directed by Matthew Dunster. With William Ash.

July 2008 - January 2009[edit]

January 2008 - June 2008[edit]

June 2007 - January 2008[edit]

October 2006 - June 2007[edit]

Digital Theatre[edit]

The Young Vic was one of the launch theatres for Digital Theatre, a project that makes theatre productions available in video download form. The first performances that were filmed were Kafka's Monkey and The Container.[14]

References[edit]

  1. ^ The Theatres of George Devine by Irving Wardle, Cape 1978 ISBN 0-224-01415-3
  2. ^ Frank Dunlop's CV for Who's Who in the Theatre 17th edition, Gale (1981). ISBN 0-8103-0235-7
  3. ^ The Oxford Companion to the Theatre, OUP (1983). ISBN 0-19-211546-4
  4. ^ "What to Expect". Young Vic. Retrieved 1 December 2011. 
  5. ^ "Young Vic war memorial plaque rededicated". Bankside Press. 21 June 2007. Retrieved 1 December 2011. 
  6. ^ "Poets' marathon at Young Vic 'Olympics'". The Times. 30 November 1982. Retrieved 24 March 2009. 
  7. ^ Review in The Stage.
  8. ^ RIBA London Building of the Year Award. Retrieved 27 July 2007.
  9. ^ RIBA announcement online. See also the RIBA profile of the Young Vic. Retrieved 27 July 2007.
  10. ^ ["Market Research Agency of the Year" Marketing Magazine (8 December 2010) p. 30.]
  11. ^ Tracey Sinclair (8 February 2011). "Exeunt: Vernon God Little". Retrieved 29 September 2011. 
  12. ^ WhatsOnStage announcement for Annie Get Your Gun
  13. ^ Kafka's Monkey, Guardian online review
  14. ^ "Leading theatres launch downloadable shows". Official London Theatre Guide. Retrieved 15 February 2010. 

External links[edit]


Original courtesy of Wikipedia: http://en.wikipedia.org/wiki/Young_Vic — Please support Wikipedia.
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1086 news items

CITY A.M. (blog)

CITY A.M. (blog)
Wed, 16 Apr 2014 08:45:00 -0700

The video was never supposed to be public, it was aired for 400 guests at special screening back in October but was spotted on the Young Vic YouTube channel and laid bare for the masses, pun intended. The clip, titled “Life's a Pitch,” sees ICAP boss ...

Londonist

Londonist
Mon, 14 Apr 2014 04:33:28 -0700

In Arthur Miller's A View From The Bridge, the setting of 1950s Brooklyn is key, and yet the messages the play carries are universal, crossing time, cultures and geographical boundaries. Eddie Carbone is a longshoreman who has brought up his orphaned ...
 
Wall Street Journal
Wed, 16 Apr 2014 07:36:33 -0700

Bankers Strip in Spoof Musical Pitch For Young Vic. Prominent financial-firm executives from the City of London spoofed a pitch for a musical production, featured in a short film made for the theater's 2013 gala fundraiser. Up Next ...

Evening Standard

Evening Standard
Mon, 14 Apr 2014 02:11:15 -0700

This is the first time that van Hove has worked with British actors, and the Young Vic's artistic director David Lan has achieved a real coup in bringing the Belgian here to stage this magnificent, electrifying production. Until June 7 (020 7922 2922 ...
 
Financial Times
Mon, 14 Apr 2014 07:48:45 -0700

A View From the Bridge, Young Vic, London – review. By Ian Shuttleworth. A puzzling but striking production of Arthur Miller's play. 'A View From the Bridge' at the Young Vic ©Jan Versweyveld. 'A View From the Bridge' at the Young Vic. Director Ivo van ...

The Independent

The Independent
Tue, 15 Apr 2014 03:07:58 -0700

The desperate plight of Syria's two million refugees is searingly and sensitively communicated in this one-woman show, conceived and performed by the half-Syrian actress, Corinne Jaber, and written by its director Amir Nizar Zuabi. Based on the ...

Telegraph.co.uk

Telegraph.co.uk
Fri, 11 Apr 2014 16:02:12 -0700

The signs weren't exactly propitious for this show. In an interview prior to the production, the Belgian director Ivo van Hove declared: “Listen, I am not so much a fan of Arthur Miller. He's a great playwright but often his plays are ethical, you know ...

The Independent

The Independent
Mon, 14 Apr 2014 02:31:42 -0700

The Belgian director Ivo van Hove has taken a drastically non-naturalistic approach to Arthur Miller's 1955 drama, set in Brooklyn's Italian-American neighbourhood, and the stripped-back intensity of focus is emotionally devastating. Over an unbroken ...
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