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Young Vic
Address South Bank, the Cut
Lambeth, London
 United Kingdom
Coordinates 51°30′12″N 0°06′27″W / 51.50323°N 0.10748°W / 51.50323; -0.10748
Type Non-commercial resident company
Capacity 420 Main house
160 Maria (studio)
80 Claire (studio)
Production Repertory seasons
Construction
Opened 1970
Rebuilt 2006 Haworth Tompkins
Architect Haworth Tompkins
Website
www.youngvic.org

The Young Vic is a theatre on the Cut, located near the South Bank, in the London Borough of Lambeth. David Lan has been the theatre's artistic director since 2000. Its philosophy is to "produce great plays for great audiences now and in the future".

History[edit]

In the period after World War II a Young Vic Company was formed in 1946 by director George Devine[1] as an offshoot of the Old Vic Theatre School for the purpose of performing classic plays for audiences aged nine to fifteen.

This was discontinued in 1948 when Devine and the entire faculty resigned from the Old Vic, but in 1969 Frank Dunlop became founder-director of The Young Vic theatre with his free adaptation of Molière's The Cheats of Scapin, presented at the new venue as a National Theatre production, opening on 11 September 1970 and starring Jim Dale in the title role with designs by Carl Toms (decor) and Maria Bjornson (costumes).[2]

Initially part of the National Theatre, the Young Vic Theatre became an independent body in 1974.[3]

In the words of Laurence Olivier, then director of the National Theatre: "Here we think to develop plays for young audiences, an experimental workshop for authors, actors and producers." The aim was to create an accessible theatre which offered high quality at low cost in an informal environment. The aim was to appeal to young audiences, but this time not specifically to children.

Young Vic Theatre[edit]

Frank Dunlop completed creation of the theatre venue in 1970, a breeze-block building on The Cut constructed out of a former butcher's shop and an adjacent bomb-site. It was intended to last for five years, but has become permanent.

The auditorium, with a thrust stage, has a capacity of 420. The configuration can vary depending on the needs of each production.

In addition to the Young Vic's main house, there are now two smaller theatre spaces. The Maria, named after theatre designer Maria Bjornson, is the larger of the two with a capacity of 150. The Clare, named after the former artistic director of the Sheffield Crucible, Clare Venables, seats 70. Like the main house, both smaller theatres have flexible seating configurations which can be arranged to suit the production design. In the two smaller auditoriums seating is unreserved, with the actors performing in close proximity to the audience.[4]

The Young Vic primarily performs classic plays, but often in innovative productions. Many well-known actors have worked at the Young Vic including Ian Charleson, who made his memorable professional debut with the Young Vic 1972-74, and who played Jimmy Porter in Look Back in Anger and Hamlet in the first revival of Stoppard's Rosencrantz and Guildenstern Are Dead in 1973. Others include Vanessa Redgrave, Helen Mirren, Judi Dench, Timothy Dalton, Robert Lindsay, Willard White, John Malkovich, Michael Sheen and Arthur Lowe.

Quintessential rock band The Who held free, weekly concerts at the Young Vic in early 1971 in order to rehearse what would become their masterpiece album, Who's Next. One of these shows was released on the Deluxe edition of this album.

A memorial at the theatre's south-east corner commemorates the 54 people killed in 1941 while sheltering in the cellars of the former building on the site, during the Blitz.[5]

In 1982 the theatre hosted a Poetry Olympics, where comedian Pat Condell took part.[6]

Awards[edit]

2004 - Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre

2008 - Laurence Olivier Award for Best Musical Revival Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre

2013 - The Critics' Circle Peter Hepple Award for Best Musical: The Scottsboro Boys

Refurbishment 2004-06[edit]

In 2003, the Young Vic launched a campaign to raise £12.5 million for a major reconstruction of its building and closed in 2004 for work to start.

Designed by architects Haworth Tompkins - also known for their refurbishment of the Royal Court Theatre, Regent's Park Open Air Theatre, and two temporary venues for the Almeida - and with Jane Wernick Associates as the structural engineers, and consulting engineers Max Fordham LLP designing the building services, the refurbishment was completed in October 2006.

The main auditorium has been left intact, but refurbished and technically enhanced. The butcher's shop has also been retained as the main entrance to the building and also the box office.

The remainder of the 1970s structure has been rebuilt to provide new foyers, dressing rooms, two studio theatres, and workshop spaces. An award of £5 million was received from the Arts Council of England.

The Young Vic re-opened on 11 October 2006, with a production of the community opera Tobias and the Angel; with music by Jonathan Dove and a libretto by David Lan.[7]

On 16 May 2007, the refurbished Young Vic won the RIBA London Building of the Year Award.[8] Following this award, the Young Vic was also shortlisted for the RIBA Stirling Prize on 27 July 2007.[9]

A rebranding exercise by Sense Worldwide in 2010 resulted in the abandonment of its 30-year-old "sit anywhere" policy and a new strapline, "It's a big world in here".[10]

Productions[edit]

March 2014 - February 2015[edit]

March 2012 - February 2014[edit]

January 2011 - February 2012[edit]

September 2010 - January 2011[edit]

October 2009 - January 2010[edit]

May 2009 - August 2010[edit]

January 2009 - April 2009[edit]

  • King Lear by William Shakespeare. Direction Rupert Gould. With Pete Postlethwaite as King Lear.
  • The Indian Wants the Bronx by Israel Horovitz. Direction Daljinder Singh. Design Paul Wills.
  • Kafka's Monkey Based on A Report to an Academy by Franz Kafka. Adaptation Colin Teevan. Direction Walter Meierjohann. With Kathryn Hunter.[13]
  • Bay devised by the company with writer Joel Horwood. Direction Sarah Tipple.
  • After Dido Purcell's Dido and Aeneas in a new film and theatre piece. Direction Katie Mitchell.
  • You Can See the Hills written and directed by Matthew Dunster. With William Ash.

July 2008 - January 2009[edit]

January 2008 - June 2008[edit]

June 2007 - January 2008[edit]

October 2006 - June 2007[edit]

Young Vic Short Films[edit]

The Young Vic has now produced five short films in collaboration with the Guardian. Following work on stage at the Young Vic, directors, writers and actors are commissioned to make short, "bold" spin-off films of their stage productions. Each has attracted tens of thousands of views, the aim being that YV Shorts act as a fourth stage for Young Vic work (in addition to the three performance spaces in London). Each film can be found on the Young Vic's website.

Inspired by the Young Vic's production of Edward Bond's play Bingo. Starring Patrick Stewart, directed by Angus Jackson and written by Mark O'Rowe.

Inspired by the Young Vic's production of A Doll's House. Starring Hattie Morahan, written by Nick Payne and directed by Carrie Cracknell.

Inspired by the Young Vic's production of Thomas Middleton and William Rowley's The Changeling. Starring Sinéad Matthews.

Inspired by Belarus Free Theatre, written by Nicolai Khalezin and Laura Wade, starring Nicolai Khalezin and Jude Law and directed by Vladimir Shcherban.

Inspired by the Young Vic's production of A Season in the Congo. Written and directed by Chiwetel Ejiofor.

Associate Companies[edit]

The Young Vic is home to four associate companies; Fevered Sleep, Belarus Free Theatre, 1927 and the Regional Theatre Young Director Scheme.

Digital Theatre[edit]

The Young Vic was one of the launch theatres for Digital Theatre, a project that makes theatre productions available in video download form. The first performances that were filmed were Kafka's Monkey and The Container.[14]

References[edit]

  1. ^ The Theatres of George Devine by Irving Wardle, Cape 1978 ISBN 0-224-01415-3
  2. ^ Frank Dunlop's CV for Who's Who in the Theatre 17th edition, Gale (1981). ISBN 0-8103-0235-7
  3. ^ The Oxford Companion to the Theatre, OUP (1983). ISBN 0-19-211546-4
  4. ^ "What to Expect". Young Vic. Retrieved 1 December 2011. 
  5. ^ "Young Vic war memorial plaque rededicated". Bankside Press. 21 June 2007. Retrieved 1 December 2011. 
  6. ^ "Poets' marathon at Young Vic 'Olympics'". The Times. 30 November 1982. Retrieved 24 March 2009. 
  7. ^ Review in The Stage.
  8. ^ RIBA London Building of the Year Award. Retrieved 27 July 2007.
  9. ^ RIBA announcement online. See also the RIBA profile of the Young Vic. Retrieved 27 July 2007.
  10. ^ ["Market Research Agency of the Year" Marketing Magazine (8 December 2010) p. 30.]
  11. ^ Tracey Sinclair (8 February 2011). "Exeunt: Vernon God Little". Retrieved 29 September 2011. 
  12. ^ WhatsOnStage announcement for Annie Get Your Gun
  13. ^ Kafka's Monkey, Guardian online review
  14. ^ "Leading theatres launch downloadable shows". Official London Theatre Guide. Retrieved 15 February 2010. 

External links[edit]


Original courtesy of Wikipedia: http://en.wikipedia.org/wiki/Young_Vic — Please support Wikipedia.
This page uses Creative Commons Licensed content from Wikipedia. A portion of the proceeds from advertising on Digplanet goes to supporting Wikipedia.
751950 videos foundNext > 

Young Vic (GTG) - Back To The Hood | Shot By @StonerVision513

Young Vic (GTG) - Back To The Hood Young Vic (GTG) - Back To The Hood.

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The Cherry Orchard at the Young Vic - trailer

Now until 29 Nov at the Young Vic. Book now: http://www.youngvic.org/whats-on/the-cherry-orchard Trailblazing director Katie Mitchell returns to the Young Vic with her signature lyricism to...

A View from the Bridge at the Young Vic

4 April - 7 June 2014 at the Young Vic www.youngvic.org Presented by arrangement with Josef Weinberger Limited. The great Arthur Miller confronts the America...

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The Plan - Young Vic x Jay Skeme x Tae Star x 2B's.

Young Vic(GTG)-We Gone Be Okay Okay

Shot by Nyle BussinMoves For your Video hit me up on facebook @ Nyle BussinMoves or call me at 513 2261131.

The Who - Live at the Young Vic - April 26, 1971

00:00:06 "Love Ain't for Keeping" 00:02:57 "Pure and Easy" 00:08:57 "Young Man Blues" (Mose Allison) 00:13:45 "Time is Passing" 00:17:44 "Behind Blue Eyes" 0...

2bs Feat Young Vic - Loyalty Means Everything/Back To Back - 2bs Feat Double Man

2bs Feat Young Vic - Loyalty Means Everything/Back To Back - 2bs Feat Double Man DIRECTED EDITED AN FILMED BY TRE DUCE CALL OR TXT 513-509-4242 FOR HD MUSIC ...

MAYDAY - A Young Vic short film

MAYDAY – written by Nancy Harris, directed by Natalie Abrahami, with Juliet Stevenson. A Young Vic short film. Inspired by the 2014 Young Vic production of S...

The Scottsboro Boys at the Young Vic - full length trailer

Get a sneak peek of the show and watch audience reactions to the 4 star smash hit The Scottsboro Boys. Playing now until 21 December at the Young Vic. Book n...

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440 news items

Telegraph.co.uk

Telegraph.co.uk
Fri, 24 Oct 2014 10:18:28 -0700

Ivan Blackstock is a rising star of British dance, a man who combines hip hop with contemporary with a smart sprinkling of commercial sense. So it was clever of Dance Umbrella to co-commission, with the Young Vic, this substantial piece of dance ...

Evening Standard

Evening Standard
Mon, 27 Oct 2014 02:48:14 -0700

You can pack a lot into 50 minutes: hip hop, Lindy hop, Charleston and tap dance; text, music, comedy, racial politics, magic, even. It's credit to choreographer/director Ivan Blackstock that this Harlem Renaissance-inspired concoction dances along ...

Telegraph.co.uk

Telegraph.co.uk
Fri, 17 Oct 2014 05:17:13 -0700

Though it might sound crudely reductive to say it, The Cherry Orchard, first performed in 1904, is one of theatre's few masterpieces about environmental devastation. Chekhov, a man who loved woodland and was appalled by deforestation, could hardly have ...

Evening Standard

Evening Standard
Wed, 22 Oct 2014 04:06:56 -0700

If Chekhov were planning a revenant visit to see how his work fares in England in the 21 century, this would be an opportune moment to come. Anya Reiss's accomplished modern updating of Uncle Vanya opened last week at the St James Theatre and here ...

The Independent

The Independent
Mon, 20 Oct 2014 03:29:49 -0700

Chekhov without an interval? It sounds like a wanton exercise in sadism against the bladder. But director Katie Mitchell and playwright Simon Stephens, give us a Cherry Orchard that runs straight through at two hours. It's a compressed, harsher ...
 
The Guardian
Sat, 25 Oct 2014 16:06:34 -0700

Young Vic, London Katie Mitchell's new production of Chekhov's classic is full of ominous shadows and refreshing shocks. cherry orchard review. 'A sense of catastrophe hovers throughout': The Cherry Orchard at the Young Vic. Photograph: Stephen ...

Londonist

Londonist
Sat, 18 Oct 2014 08:00:00 -0700

But if we have so far led you to believe this Young Vic production is amusing more than it is very draining and (necessarily) rather terrifying at times, let us now set the record straight. Having just turned 50, Mitchell evidently relished the ...

The Guardian

The Guardian
Wed, 15 Oct 2014 23:01:30 -0700

All three of them have been at the Young Vic. In 2011 my version of Jon Fosse's I Am the Wind was staged there, and in 2012 my version of Henrik Ibsen's A Doll's House. The process for working on The Cherry Orchard was similar to my processes in both ...
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