digplanet beta 1: Athena
Share digplanet:


Applied sciences






















Willy Kurant
Born (1934-02-15) 15 February 1934 (age 80)
Liège, Belgium
Occupation Cinematographer
Years active 1954–present

Willy Kurant (born 15 February, 1934) is a Belgian cinematographer.

A second-generation cinematographer whose father had shot films for Alfred Hitchcock and Jean Renoir, Kurant began as a documentary cameraman[1] before establishing himself as a director of photography for such filmmakers as Agnes Varda, Jean-Luc Godard, Orson Welles, Alain Robbe-Grillet, Jerzy Skolimowski, Chris Marker and Maurice Pialat. Kurant also collaborated extensively with musician Serge Gainsbourg.

Kurant is a member of the French Society of Cinematographers[1] and the American Society of Cinematographers.[1]


Kurant was born in 1934 in Liège, Belgium, the son of German cinematographer Curt Courant, who had begun his career in the silent era and gone on to shoot films for Fritz Lang, Alfred Hitchcock, and Jean Renoir. Kurant lived in Liège until the age of eight, when, due to World War II, he was forced to move to the Belgian countryside with his older sister and her husband.[1] Kurant was later sent to an orphanage, where he lived until the age of 17.[1] As a teen, Kurant read issues of American Cinematographer magazine at an American Cultural Center.[1]

Though his father was a well-known figure in the field, Kurant was initially reluctant to pursue a career as a cinematographer, instead studying still photography.[2] While working at a job processing film at a research lab in France, Kurant took an evening class at a small film school;[2] it was then that he decided to pursue cinematography as a career.[2]

Kurant began his career as a cameraman in 1954, when he spent six months in the Belgian Congo as part of a documentary film crew.[2] There, he worked on ten short propaganda films produced for the Ministry of Overseas France and her Colonies, and upon returning to Belgium, Kurant worked as a news cameraman for a television station.[2] In 1957, Kurant received a scholarship to study as a trainee cameraman at Pinewood Studios. There, he worked as first assistant cameraman to English cinematographers Geoffrey Unsworth (on A Night to Remember), Harry Waxman (on Innocent Sinners) and Jack Hildyard (on The Gypsy and the Gentleman).[2]

At the 1958 World's Fair in Brussels, Kurant saw a German film crew using an Arriflex camera. This inspired Kurant to buy a camera of his own, as well as a set of lenses and a sound recorder.[2] He then worked extensively as a freelance cameraman, travelling to Vietnam and again to the Congo. In 1962, Kurant moved to France to formally study cinematography.

Kurant then began to establish himself as a cinematographer, shooting shorts for filmmakers such as Jacques Rozier and Marin Karmitz. In 1966, Kurant shot his first two features: Agnes Varda's The Creatures and Jean-Luc Godard's Masculine Feminine. Both films were shot in high-contrast black-and-white on 4X, a then-new Kodak film stock;[1] Kurant later referred to the films' distinctive look as his "signature."[1]

The next year, Kurant shot the TV movie Anna, directed by Pierre Koralnik starring Godard's ex-wife, Anna Karina. The film was co-written and scored by musician Serge Gainsbourg; this marked the first of several film collaborations between Kurant and Gainsbourg.

Around the same time, Kurant served as the cinematographer on Orson Welles' French production, The Immortal Story. Welles then hired Kurant as the cinematographer for his thriller The Deep, which spent three years in production but was never finished.[3]

In 1968, Kurant shot his first American film, The Night of the Following Day. In the 1980s, he worked on two films with director Maurice Pialat: A Nos Amours, from which Kurant was fired after two weeks of shooting,[2] and the Palme d'Or-winning Under the Sun of Satan. He also worked on Boris Szulzinger's Mama Dracula (1980).

Later in his career, Kurant shot a handful of films in the United States, including The Baby-Sitters Club and Pootie Tang. His most recent feature is Un été brûlant (2011), directed by Philippe Garrel; it marked Kurant's first work in seven years.


  1. ^ a b c d e f g h Kodak On Film: Willy Kurant, ASC, AFC.
  2. ^ a b c d e f g h Cinematographers: Willy Kurant
  3. ^ Willy Kurant: Welles DP on Immortal, Deep, Heroine

Original courtesy of Wikipedia: http://en.wikipedia.org/wiki/Willy_Kurant — Please support Wikipedia.
This page uses Creative Commons Licensed content from Wikipedia. A portion of the proceeds from advertising on Digplanet goes to supporting Wikipedia.
57 videos foundNext > 


PROJET DE SÉRIE DE DOCUMENTAIRES : Des films, le spectateur retient essentiellement le nom des "stars". Celles-ci sont souvent adulées, parfois même au-delà ...

3 questions à... Willy Kurant

Dans le cadre du cycle "Maurice Pialat", Willy Kurant est venu nous faire part de l'époque oú ces derniers ont travaillé ensemble.

Un été brûlant (2011) - Suicide Scene (Escena del Suicidio)

Suicide scene of Louis Garrel in the movie Un été brûlant (A Burning Hot Summer) directed by Philippe Garrel. Music: John Cale Photo: Willy Kurant ----------...

Aspects de la Turquie Hier et Aujourd'hui - Istanbul

Istanbul (13 min) : Aspects de la Turquie hier et aujourd'hui / André Falk, voix. Cop. Como-Films, 1964. n. et b. Maurice Pialat, Willy Kurant, Bob Wade, Pi...

Tuff Turf (1985) Full Movie

Directed by Fritz Kiersch Produced by Donald Borchers Written by Greg Collins O'Neill Murray Michaels Jette Rinck Starring James Spader Kim Richards Paul Mon...

Cream Farewell Concert

Royal Albert Hall, 26 November 1968. Director: Tony Palmer Producer: Robert Stigwood Cinematography: Willy Kurant, Gabor Pogany Farewell Concert is the live ...

Dancing in Philippe Garrel's "A Burning Hot Summer"

To the tune of Dirty Pretty Thing's "Truth Begins". Cinematography by Willy Kurant. More information: http://mubi.com/films/a-burning-hot-summer.

Manaki Brothers 2003 - Opening Night Ceremony (MTV)

Интернационален фестивал на филмската камера Браќа Манаки Битола 2003 Manaki Brothers Film Festival 2003 Opening Night Ceremony Video...

Jealousy Trailer

Celluloid Dreams | D Philippe Garrel | France, Italy, Switzerland, 2013 L French http://miff.com.au/program/film/5731 "A masterful work ... the film takes on...

PINK's LIVE Mademoiselle „NOBs in POMPEII"

Modern "PAVLOV Kutyája" A. Vagy élőzenei „karakter/asszociációs jövő/belátó" kuriózum: pink's LIVE Mademoiselle „nobs in POMPEII" In memoriam : [Pogány Gábor...

57 videos foundNext > 

11 news items

Fri, 12 Sep 2014 00:07:30 -0700

... of movies devoted to storytelling, but “Jealousy” does a lot of things right. The melancholy black-and-white widescreen photography — actually shot on 35 mm film, not digital — comes courtesy of legendary “Wings of Desire” cinematographer Willy ...
Seattle Weekly
Tue, 09 Sep 2014 20:45:00 -0700

The melancholy black-and-white widescreen photography—actually shot on 35 mm film, not digital—comes courtesy of legendary Wings of Desire cinematographer Willy Kurant, and it sets exactly the right sad-in-Paris mood. Jean-Louis Aubert's ...
Los Angeles Times
Thu, 21 Aug 2014 18:48:30 -0700

With its fragmentary scenes and the sumptuous black-and-white palette created by New Wave cinematographer Willy Kurant, "Jealousy" has a dreamy quality, its Parisian characters not rooted in time. Dreams are rarely as languid, though, or as filled with ...

Columbus Dispatch

Columbus Dispatch
Tue, 12 Aug 2014 03:52:30 -0700

For Jealousy, the high- contrast black-and-white imagery was captured by director of photography Willy Kurant, an 80-year-old who has worked with people from Godard to Louis C.K.. Like his father before him, Philippe often wasn't present when his son ...
The Epoch Times
Thu, 14 Aug 2014 07:15:00 -0700

Willy Kurant's black-and-white cinematography arrestingly heightens the on-screen emotional conflict. It is a lovely picture that evokes the filmmaker's earlier pictures, like “Emergency Kisses,” but it feels considerably less self-conscious. Philippe ...

El Nuevo Herald

El Nuevo Herald
Thu, 04 Sep 2014 16:37:30 -0700

La imagen es crucial para el espíritu del filme del director galo Philippe Garrel, quien en La jalousie trabaja la composición, elabora los encuadres, con una fotografía –del belga Willy Kurant, quien filmó con Jean-Luc Godard, Orson Welles y otros ...


Tue, 19 Aug 2014 10:33:42 -0700

Yönetmen Philippe Garrel, Belçıkalı görüntü yönetmeni Willy Kurant (Orson Welles, Agnes Varda, Jean-Luc Godard, Maurice Pialat gibi ünlü yönetmenlerle de çalışmış), ve kurgucu Yann Dedet (François Truffaut. Maurice Pialat ile çalışmış) aile, abi-kardeş ...

Bit Culturali

Bit Culturali
Tue, 05 Aug 2014 01:03:45 -0700

... fotografia – di Willy Kurant – giocata su un bianco e nero fortemente contrastato), il tono del racconto assume cadenze talora dolorose, ricusando tuttavia ogni forma di retorica patetica, melodrammatica o tragica (lo stesso episodio del tentato ...

Oops, we seem to be having trouble contacting Twitter

Talk About Willy Kurant

You can talk about Willy Kurant with people all over the world in our discussions.

Support Wikipedia

A portion of the proceeds from advertising on Digplanet goes to supporting Wikipedia. Please add your support for Wikipedia!