digplanet beta 1: Athena
Share digplanet:

Agriculture

Applied sciences

Arts

Belief

Business

Chronology

Culture

Education

Environment

Geography

Health

History

Humanities

Language

Law

Life

Mathematics

Nature

People

Politics

Science

Society

Technology

Robert Mangold
Robert Mangold.jpg
Portrait of Robert Mangold
Born (1937-10-12) October 12, 1937 (age 78)
North Tonawanda, New York
Nationality American
Known for Painting, Printmaking
Movement Minimal Art
Spouse(s) Sylvia Plimack Mangold
A Rectangle and Circle within Square by Robert Mangold, Honolulu Museum of Art

Robert Mangold (born October 12, 1937) is an American minimalist artist.

Early life and education[edit]

Mangold was born in North Tonawanda, New York. His mother, Blanche, was a department store buyer, and his father, Aloysius Mangold, worked at an organ factory.[1] He first trained at the Cleveland Institute of Art from 1956 to 1959, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York.[2]

Work[edit]

“Robert Mangold’s paintings,” wrote Michael Kimmelman in the New York Times in 1997, “are more complicated to describe than they seem, which is partly what’s good about them: the way they invite intense scrutiny, which, in the nature of good art, is its own reward.” His works are comprised often of simple elements which are put together through complex means. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling of an architect's hands. He almost always works in extensive series, often carried through both paintings and works on paper.[3]

Mangold’s early work consisted largely of monochromatic free-standing constructions displayed against the wall, such as Grey Window Wall (1964).[4] In 1968 he began employing acrylic instead of oil paint, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas.[5] In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. By the mid-1970s, Mangold moved on to overlapping shapes whose contours are formed by combinations of canvas edges and both drawn and implied lines.[6] A Rectangle and a Circle within a Square from 1975, in the collection of the Honolulu Museum of Art is an example of these subtle geometric relationships.

A 1994 series consisted of monochrome panels, deployed in two-panel trapezoidal works whose colors, sometimes matching, sometimes contrasting, run to deep oranges, olive greens, browns and grays.[7] In a 2006/7 series, entitled Column Structure I through Column Structure XII, the 12 canvases each have a central vertical trunk measuring 10 feet high and 2 feet wide that is subdivided by straight, horizontal lines and appended with squares or triangles that jut from the sides, usually near the top.[8]

Mangold’s paintings, quiet and restrained on the surface, are much admired by artists. In a 1994 review in Art in America, Robert Kushner wrote that “underneath the composure of their execution, there is an almost romantic vividness of experience. The contrast of this veiled undercurrent and the Apollonian restraint of the presentation make these new paintings both powerful and poignant.”

Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions.

Mangold designed the monumental colored glass panels contained in the Buffalo Federal Courthouse pavilion lobby.

Mangold lives in Washingtonville, New York with his wife Sylvia Plimack Mangold, who is also an artist. They are the parents of film director and screenwriter James Mangold, and musician Andrew Mangold.[citation needed]

Exhibitions[edit]

In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006).[9] He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004.

Collections[edit]

The Art Institute of Chicago, Fundacío La Caixa (Barcelona), the Hallen für Neue Kunst (Schaffhausen, Switzerland), the Hirshhorn Museum and Sculpture Garden (Washington, DC), the Honolulu Museum of Art, the J. Paul Getty Trust (Los Angeles), the Kunstmuseum Basel (Switzerland), the Los Angeles County Museum of Art, the Museo Nacional Centro de Arte Reina Sofía (Madrid), the Museum of Modern Art (New York City, the San Francisco Museum of Modern Art, the Solomon R. Guggenheim Museum (New York City), the Tate Collection (London), the Tokyo Metropolitan Art Museum, and the Whitney Museum of American Art (New York City) are among the public collections holding work by Robert Mangold.

Art market[edit]

From 1964 through 1973, Mangold was affiliated with Thibaut and Fischbach galleries in New York and had numerous exhibitions in European galleries. He became affiliated with John Weber Gallery in 1972, with Paula Cooper Gallery in 1984[10] He has been represented by The Pace Gallery in New York since 1991.

Literature[edit]

References[edit]

External links[edit]


Original courtesy of Wikipedia: http://en.wikipedia.org/wiki/Robert_Mangold — Please support Wikipedia.
This page uses Creative Commons Licensed content from Wikipedia. A portion of the proceeds from advertising on Digplanet goes to supporting Wikipedia.

671 news items

The Japan Times

The Japan Times
Sun, 01 May 2016 03:07:30 -0700

IDRO Japan and It's Not Just Mud leaders Robert Mangold and Jamie El Banna, and some Japanese firefighter volunteers we worked with, are expert at cutting their way into collapsed buildings or climbing over them to locate owners' possessions.

Chicago Reader

Chicago Reader
Fri, 29 Apr 2016 13:26:15 -0700

It's the kind of thing Robert Mangold or Richard Tuttle do so well, saying a lot by saying very little. But the pieces that affected me the most were Orkideh Torabi's portraits. Silk-screened onto cotton in an odd, batik-like stained technique, the ...

Los Angeles Times

Los Angeles Times
Sun, 24 Apr 2016 07:48:45 -0700

Featuring Hesse's journals and correspondence with mentor Sol LeWitt and interviews with artists Richard Serra, Robert Mangold, Dan Graham. Directed by Marcie Berlieter. Zeitgeist Films. High Rise. The residents of a luxury apartment tower experience ...

Film Journal

Film Journal
Wed, 27 Apr 2016 08:45:48 -0700

Hesse's struggles and talent are illuminated by the doc's many interviews (contemporary and archival) with colleagues and close friends: artists including Richard Serra, Robert Mangold, Dan Graham, Nancy Holt, and especially Sol LeWitt, her mentor; ...

FinBuzz (press release) (blog)

FinBuzz (press release) (blog)
Mon, 15 Feb 2016 02:05:17 -0800

Robert Mangold abstraction “Untitled” was coming from their collection. Miles and Shirley Fiterman collection sold in total for £7.1 million. Members of 42 countries took part in these sales. The total sales at Christie's 20th century art series of ...

The Korea Herald

The Korea Herald
Wed, 20 Apr 2016 01:05:01 -0700

Featured artists include Carl Andre, Chung Sang-hwa, Ha Chong-hyun, Donald Judd, Kwon Young-woo, Lee U-fan, Sol LeWitt, Robert Mangold, Agnes Martin, Park Seo-bo, Robert Ryman, Richard Serra and Yun Hyong-keun. Following the exhibit, the ...

Brooklyn Rail

Brooklyn Rail
Wed, 02 Apr 2014 09:04:18 -0700

Robert Mangold invited Alex Bacon to his Manhattan pied-à-terre to discuss his upcoming show of new paintings at Pace Gallery (April 4 – May 3, 2014) in the context of the arc of his five-decade long career. Portrait of the artist. Pencil on paper by ...

New York Times

New York Times
Thu, 17 Apr 2014 12:08:58 -0700

With an abstract painting trend derisively nicknamed “zombie formalism” flooding the market, more attention should be paid to the achievement of Robert Mangold, whose latest Minimalist paintings can be seen in an inspired show. For over five decades, Mr.
Loading

Oops, we seem to be having trouble contacting Twitter

Support Wikipedia

A portion of the proceeds from advertising on Digplanet goes to supporting Wikipedia. Please add your support for Wikipedia!

Searchlight Group

Digplanet also receives support from Searchlight Group. Visit Searchlight