digplanet beta 1: Athena
Share digplanet:

Agriculture

Applied sciences

Arts

Belief

Business

Chronology

Culture

Education

Environment

Geography

Health

History

Humanities

Language

Law

Life

Mathematics

Nature

People

Politics

Science

Society

Technology

"Perugino" redirects here. For the Italian wine grape also known as Perugino, see Trebbiano.
Pietro Perugino
Pietro Perugino 031.jpg
Self-portrait, 1497–1500
Born Pietro Vannucci
c. 1446
Città della Pieve, Umbria, Italy
Died 1523
Fontignano, Umbria, Italy
Nationality Italian
Education Andrea del Verrocchio
Known for Painting, Fresco
Notable work(s) The Delivery of the Keys
Movement Italian Renaissance

Pietro Perugino (Italian: [ˈpjɛːtro peruˈdʒiːno]; c. 1446/1450 – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.

Biography[edit]

Early years[edit]

He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Vannucci; his nickname characterizes him as from Perugia, the chief city of Umbria. Despite what stated by his biographer Giorgio Vasari, the Vannucci were one of the richest in the town.[1] His exact date of birth is not known, although, basing on his age at the death mentioned by Vasari and Giovanni Santi, it has been dated between 1446 and 1452.[1]

He most likely began to study painting in Perugia, in local workshops such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo.[1] The date of this first Florentine sojourn is unknown; some make it as early as 1466/1470, others push the date to 1479.[1] According to Vasari, he apprenticed in the workshop of Andrea del Verrocchio alongside Leonardo da Vinci, Domenico Ghirlandaio, Lorenzo di Credi, Filippino Lippi and others. Piero della Francesca is thought to have taught him perspective form. In 1492 he is considered to have completed his apprenticeship, since he was a student in the confraternity of St. Luke as a painter.

Perugino was one of the earliest Italian practitioners of oil painting. Some of his early works were extensive frescoes for the convent of the Ingessati fathers, destroyed during the siege of Florence; he produced for them also many cartoons, which they executed with brilliant effect in stained glass. A good specimen of his early style in tempera is the tondo (circular picture) in the Musée du Louvre of the Virgin and Child Enthroned between Saints.

Rome[edit]

Perugino returned from Florence to Perugia, where his Florentine training showed in the Adoration of the Magi for the church of Santa Maria dei Servi of Perugia (c. 1476). In about 1480, he was called to Rome by Sixtus IV to paint fresco panels for the Sistine Chapel walls. The frescoes he executed there included Moses and Zipporah (often attributed to Luca Signorelli), the Baptism of Christ, and Delivery of the Keys. Pinturicchio accompanied Perugino to Rome, and was made his partner, receiving a third of the profits. He may have done some of the Zipporah subject. The Sistine frescoes were the major high Renaissance commission in Rome. The altar wall was also painted with the Assumption, the Nativity, and Moses in the Bulrushes. These works were later destroyed to make a space for Michelangelo's Last Judgement,

The Delivery of the Keys fresco, 1481–1482, Sistine Chapel, Rome.

After the completion of the Sistine Chapel work in 1486 Perugino, then aged forty, left Rome and by autumn was in Florence. Here he figured in a criminal court case. In July 1487 he and another Perugian painter named Aulista di Angelo were convicted, on their own confession, of having in December waylaid with staves someone (the name does not appear) in the streets near Pietro Maggiore. Perugino merely intended assault and battery, but Aulista meant to commit murder. Perugino, guilty of the lesser offence, was fined ten gold florins, and the other was exiled for life.

Between 1486 and 1499 Perugino worked mostly in Florence, making one journey to Rome and several to Perugia, where he may have maintained a second studio. He had an established studio in Florence, and received a great number of commissions. His Pietà (1483–1493) in the Uffizi is an uncharacteristically stark work that avoids Perugino's sometimes too easy sentimental piety.

In 1499 the guild of the cambio (money-changers or bankers) of Perugia asked him to decorate their audience-hall, the Sala delle Udienze del Collegio del Cambio. The humanist Francesco Maturanzio acted as his consultant. This extensive scheme, which may have been finished by 1500, comprised the painting of the vault, showing the seven planets and the signs of the zodiac (Perugino being responsible for the designs and his pupils most probably for the execution), and the representation on the walls of two sacred subjects: the Nativity and Transfiguration; in addition, the Eternal Father, the cardinal virtues of Justice, Prudence, Temperance and Fortitude, Cato as the emblem of wisdom, and numerous life-sized figures of classic worthies, prophets and sibyls figured in the program. On the mid-pilaster of the hall Perugino placed his own portrait in bust-form. It is probable that Raphael, who in boyhood, towards 1496, had been placed by his uncles under the tuition of Perugino, bore a hand in the work of the vaulting.

Perugino was made one of the priors of Perugia in 1501. On one occasion Michelangelo told Perugino to his face that he was a bungler in art (goffo nell arte): Vannucci brought an action for defamation of character, unsuccessfully. Put on his mettle by this mortifying transaction, he produced the masterpiece of the Madonna and Saints for the Certosa of Pavia, now disassembled and scattered among museums: the only portion in the Certosa is God the Father with cherubim. An Annunciation has disappeared; three panels, the Virgin adoring the infant Christ, St. Michael and St. Raphael with Tobias are among the treasures of the National Gallery, London. This was succeeded in 1504-1507 by the Annunziata Altarpiece for the high altar of the Basilica dell'Annunziata in Florence, in which he replaced Filippino Lippi. The work was a failure, being accused of lack of innovation. Perugino lost his students; and towards 1506 he once more and finally abandoned Florence, going to Perugia, and thence in a year or two to Rome.

God the Father and angels by Pietro Perugino on the ceiling of Stanza dell'Incendio del Borgo

Pope Julius II had summoned Perugino to paint the Stanza of the Incendio del Borgo in the Vatican City; but he soon preferred a younger competitor, Raphael, who had been trained by Perugino; and Vannucci, after painting the ceiling with figures of God the Father in different glories, in five medallion-subjects, retired from Rome to Perugia from 1512. Among his latest works, many of which decline into repetitious studio routine, one of the best is the extensive altarpiece (painted between 1512 and 1517) of the church of San Agostino in Perugia, also now dispersed.

Perugino's last frescoes were painted for the church of the Madonna delle Lacrime in Trevi (1521, signed and dated), the monastery of Sant'Agnese in Perugia, and in 1522 for the church of Castello di Fortignano. Both series have disappeared from their places, the second being now in the Victoria and Albert Museum. He was still at Fontignano in 1523 when he died of the plague. Like other plague victims, he was hastily buried in an unconsecrated field, the precise spot now unknown.

Vasari is the main source stating that Perugino had very little religion, and openly doubted the soul's immortality. Perugino in 1494 painted his own portrait, now in the Uffizi Gallery, and into this he introduced a scroll lettered Timete Deum. That an open disbeliever should inscribe himself with Timete Deum seems odd. The portrait in question shows a plump face, with small dark eyes, a short but well-cut nose, and sensuous lips; the neck is thick, the hair bushy and frizzled, and the general air imposing. The later portrait in the Cambio of Perugia shows the same face with traces of added years. Perugino died possessed of considerable property, leaving three sons.

Gonfalone with Pietà, c. 1472.

In 1495 he signed and dated a Deposition for the Florentine convent of Santa Chiara (Palazzo Pitti). Towards 1496 he frescoed a Crucifixion, commissioned in 1493 for Maria Maddalena de' Pazzi, Florence (the Pazzi Crucifixion). The attribution to him of the picture of the marriage of Joseph and the Virgin Mary (the Sposalizio) now in the museum of Caen, which indisputably served as the original, to a great extent, of the still more famous Sposalizio painted by Raphael in 1504 (Accademia di Brera, Milan), is now questioned, and it is assigned to Lo Spagna. A vastly finer work of Perugino's was the polyptych of the Ascension of Christ painted ca 1496–98 for the church of S. Pietro of Perugia, (Municipal Museum, Lyon); the other portions of the same altarpiece are dispersed in other galleries.

In the chapel of the Disciplinati of Città della Pieve is an Adoration of the Magi, a square of 6.5 m containing about thirty life-sized figures; this was executed, with scarcely credible celerity, from the 1st to 25 March (or thereabouts) in 1505, and must no doubt be in great part the work of Vannucci's pupils. In 1507, when the master's work had for years been in a course of decline and his performances were generally weak, he produced. nevertheless, one of his best pictures — the Virgin between Saint Jerome and Saint Francis, now in the Palazzo Penna. In the church of S. Onofrio in Florence is a much lauded and much debated fresco of the Last Supper, a careful and blandly correct but uninspired work; it has been ascribed to Perugino by some connoisseurs, by others to Raphael; it may more probably be by some different pupil of the Umbrian master.

Among his pupils were Raphael, upon whose early work Perugino's influence is most noticeable, Pompeo Cocchi,[2] Eusebio da San Giorgio,[3] Mariano di Eusterio,[4] and Giovanni di Pietro (lo Spagna).

Major works[edit]

References[edit]

  1. ^ a b c d Garibaldi, Vittoria (2004). "Perugino". Pittori del Rinascimento. Florence: Scala. ISBN 88-8117-099-X. 
  2. ^ Catalogo dei quadri che si conservano nella Pinacoteca Vannucci in Perugia, by Galleria Nazionale dell'Umbria, (1903), page 61.
  3. ^ Ibid, page 62.
  4. ^ Ibid, page 63.

Sources[edit]

External links[edit]


Original courtesy of Wikipedia: http://en.wikipedia.org/wiki/Pietro_Perugino — Please support Wikipedia.
This page uses Creative Commons Licensed content from Wikipedia. A portion of the proceeds from advertising on Digplanet goes to supporting Wikipedia.
1384 videos foundNext > 

Pietro Perugino

Perugino (El). Pietro di Cristoforo Vannucci Nacionalidad: Italia Città della Pieve 1448 h. - Fontignano 1523 Pietro Vannucci recibe el nombre de Perugino al...

Firenze - L'ULTIMA CENA di Pietro Perugino nel Cenacolo di Fuligno

Il Cenacolo di Fuligno, detto anche delle monache di Foligno, era così chiamato dal nome delle monache francescane provenienti dall'Umbria che lo occuparono ...

YouTube SmartHistry Project.wmv

Kenneth Sharp and Jazmine Martinez discuss Pietro Perugino Delivery of the Keys to Saint Peter.

Pietro Perugino

Universidad de Boyacá Facultad de Arquitectura y Bellas Artes Historia del Arte y Renacimiento Profesor: Carlos Arturo Mesa Por: David Fernando Pacheco Cifue...

Pietro Perugino - La consegna delle chiavi (spiegato ai truzzi)

http://lartespiegataaitruzzi.tumblr.com/post/77265763807/pietro-perugino-pietro-di-cristoforo-vannucci Pietro Perugino (Pietro di Cristoforo Vannucci, Città ...

Piero di Cosimo,Albrecht Durer,Pietro Perugino,Giovanni Bellini

Painting gallery artists ages 15-19: Piero di Cosimo,Albrecht Durer,Pietro Perugino,Giovanni Bellini (2-100)

PIETRO PERUGINO E IL SUO SUBLIME GESTO D'AMORE

www.nucciatolomeo.it Pietro Perugino, 50 anni, di Acconia di Curinga, marito e padre esemplare, artigiano, deceduto il 12 febbraio 2010 nel reparto di rianim...

Pietro Perugino - Série: Um minuto de Arte - Do Gótico ao Contemporâneo - 017/120

Pietro Perugino (1450-1523). Foi um importante artista da Alta Renascença Italiana. É tido como um dos professores de Rafael, cujo estilo reflete sua influên...

Lamentation of Christ - Pietro Perugino

Experience Pietro Perugino's "Lamentation of Christ" together with beautiful classical music, in HD quality! Painting title: Lamentation of Christ Painting d...

Galitzine triptych, right wing: St. Mary Magdalene - Pietro Perugino

Experience Pietro Perugino's "Galitzine triptych, right wing: St. Mary Magdalene" together with beautiful classical music, in HD quality! Painting title: Gal...

1384 videos foundNext > 

4 news items

Artsblog.it (Blog)

Artsblog.it (Blog)
Thu, 21 Aug 2014 23:00:00 -0700

La Cappella Sistina, la splendida chiesa dedicata a Maria Assunta in Cielo e decorata da Michelangelo Buonarroti, ma anche da altri artisti quali Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio, Luca Signorelli e Piero di Cosimo ...

Cabine Cultural

Cabine Cultural
Wed, 20 Aug 2014 21:17:45 -0700

Durante todo este período, uma equipe de grandiosos pintores que incluiu Pietro Perugino, Sandro Botticelli e Domenico Ghirlandaio criaram uma série de painéis de afrescos que retratam a vida de Moisés e de Cristo, juntamente com retratos papais e da ...

Canlı Haber

Canlı Haber
Wed, 20 Aug 2014 22:32:22 -0700

Leonardo Verrocchio'nun yanında Lorenzo di Credi ve Pietro Perugino gibi ünlü sanatçılarla çalışma fırsatı buldu. Atölyede sadece resim yapmayı değil, lir çalmayı da öğrendi. Gerçekten de iyi çalıyordu. Floransa'yı 1482'de terkederek Milano Dükü Sforza ...

20minutos.es

20minutos.es
Sat, 02 Aug 2014 23:37:46 -0700

Murió casi en el olvido, mientras pintaba un fresco devocional en una pequeña iglesia de la Perugia italiana, no muy lejana del lugar en el que había nacido 75 años antes. Fue una de las víctimas de una epidemia de peste bubónica y enterraron el cuerpo ...
Loading

Oops, we seem to be having trouble contacting Twitter

Talk About Pietro Perugino

You can talk about Pietro Perugino with people all over the world in our discussions.

Support Wikipedia

A portion of the proceeds from advertising on Digplanet goes to supporting Wikipedia. Please add your support for Wikipedia!