digplanet beta 1: Athena Share digplanet:

Rock art in Europe

Pictish stones

 

Agriculture

Applied sciences

Arts

Belief

Business

Chronology

Culture

Education

Environment

Geography

Health

History

Humanities

Language

Law

Life

Mathematics

Nature

People

Politics

Science

Society

Technology

The Class II Kirkyard stone c800AD, Aberlemno

Pictish stones are monumental stelae found in Scotland, mostly north of the Clyde-Forth line, and on the Eastern side of the country. These stones are the most visible remaining evidence of the Picts and are thought to date from the 6th to 9th centuries, a period during which the Picts became Christianized. The earlier stones have few surviving parallels from the rest of the British Isles, but the later forms are variations within a wider Insular tradition of monumental stones such as high crosses. About 350 objects classified as Pictish stones have survived, the earlier examples of which hold by far the greatest number of surviving examples of the mysterious Pictish symbols, which have long intrigued scholars.[1]

Contents

[edit] Classification

In The Early Christian Monuments of Scotland (1903) J Romilly Allen and Joseph Anderson first classified Pictish stones into three groups.[2] Critics have noted weaknesses in this system but it is widely known and still used in the field. In particular, the classification may be misleading for the many incomplete stones. Allen and Anderson regarded their classes as coming from distinct periods in sequence, but it is now clear that there was a considerable period when both Class I and II stones were both being produced.[3]

  • Class 1 — unworked stones with symbols only incised. There is no cross on either side. Class 1 stones date back to the 6th, 7th and 8th centuries.
  • Class 2 — stones of more or less rectangular shape with a large cross and symbol(s) on one or both sides. The symbols, as well as Christian motifs, are carved in relief and the cross with its surroundings is filled with designs. Class 2 stones date from the 8th and 9th centuries.
  • Class 3 — these stones feature no idiomatic Pictish symbols. The stones can be cross-slabs, recumbent gravemarkers, free-standing crosses, and composite stone shrines. They originate in the 8th or 9th century. Historic Scotland describe this class as "too simplistic" and say "Nowadays this is not considered a useful category. A surviving fragment may belong to a monument that did include Christian imagery".[4]

Later Scottish stones merge into wider medieval British and European traditions.

[edit] Purpose and meaning

The Class I Dunnichen Stone, with Pictish symbols.

The purpose and meaning of the stones are only slightly understood, and the various theories proposed for the early Class I symbol stones, that are considered to mostly pre-date the spread of Christianity to the Picts, are essentially speculative. Many later Christian stones from Classes II and III fall more easily into recognisable categories such as gravestones. The earlier symbol stones may have served as personal memorials or territorial markers, with symbols for individual names, clans, lineages or kindreds, although there are several other theories, and proposed explanations of the meanings of the symbols. A small number of Pictish stones have been found associated with burials, but most are not in their original locations. Some later stones may also have marked tribal or lineage territories.

Class I and II stones contain symbols from a recognisable set of standard ideograms, many unique to Pictish art, which are known as the Pictish symbols. The exact number of distinct Pictish symbols is uncertain as there is some debate as to what constitutes a Pictish symbol, and whether some varied forms should be counted together or separately. The more inclusive estimates are in excess of sixty different symbols, but a more typical estimate is around thirty,[5] or "around forty" according to Historic Scotland.[6] These include geometric symbols which have been assigned descriptive names by researchers such as crescent and V-rod, double disc and Z-rod, and outline representations of animals such as the adder, salmon, wolf, stag, eagle, as well as the apparently mythical Pictish Beast),[7] perhaps intended as a sea-monster. There are also representations of everyday objects such as the mirror and comb, which could have been used by high-status Picts. The symbols are almost always arranged in pairs or sets of pairs, often with the object type, such as the mirror and comb, below the others, hence the thinking they could represent names, lineage or kindred (such as two parents/clans). According to Anthony Jackson the symbol pairs represent matrilineal marriage alliances.[8] The animal group are generally only found in combination with the abstract types.[9]

The symbols are found on some of the extremely rare survivals of Pictish jewellery, such as the pair of silver plaques from the Norrie's Law hoard found in Fife in the early 19th century,[10] and the Whitecleuch Chain.[11][12] The symbols are also sometimes found on other movable objects like small stone discs and bones mostly from the Northern Isles. Simple or early forms of the symbols are carved on the walls of coastal caves at East Wemyss, Fife and Covesea, Moray. It is therefore thought likely that they were represented in other more perishable forms that have not survived in the archaeological record, perhaps including clothing and tattoos. Some symbols appear across the whole geographical range of the stones while, for example, six stones with the single symbol of a bull found at Burghead Fort suggest that this represented the place itself, or its owners, despite other examples appearing elsewhere.[13]

A team from Exeter University, using mathematical analysis, have concluded that the symbols in the Pictish image stones "exhibit the characteristics of written languages" (as opposed to "random or sematographic (heraldic) characters").[14][15] This claim has been criticized by linguists Mark Liberman and Richard Sproat on the grounds that the non-uniform distribution of symbols - taken to be evidence of writing - is little different from non-linguistic non-uniform distributions (such as die rolls), and that the Exeter team are using a definition of writing broader than that used by linguists.[16][17] To date, even those who propose that the symbols should be considered "writing" from this mathematical approach do not have a suggested decipherment.[18] However, earlier studies based on a contextual approach drawing on the identification of the pagan pre-Christian Celtic Cult of the Archer Guardian have been able to suggest possible clausal meanings for symbol pairs.[19][20]

[edit] Gallery of symbols

A selection of the Pictish symbols, showing the variation between individual examples. Each group is classified as a single type by most researchers. Only the geometric and object types are represented here, not the animal group.

[edit] Distribution and sites

Distribution of Class I and Class II stones, as well as caves holding Pictish symbol graffiti
The Nigg Stone, 790–799 AD, Class II, shows a Pictish harp, beasts and warriors in a 19th century illustration, minus the top section.

Only a few stones still stand at their original sites; most have been moved to museums or other protected sites. Some of the more notable individual examples and collections are listed below (Note that listing is no guarantee of unrestricted access, since some lie on private land). Pictish Symbol stones have been found throughout Scotland, although their original locations are concentrated largely in the North East of the country in lowland areas, the Pictish heartland. During the period when the stones were being created, Christianity was spreading through Scotland from the west and the south, through the kingdoms of Dál Riata, which included parts of Ireland, and the extension into modern Scotland of the Anglo-Saxon kingdoms of Bernicia and Nothumbria.

Areas that show particular concentrations include Strathtay, Strathmore, coastal Angus, Fife, Strathdee, Garioch, Moray, Strathspey, Caithness, Easter Ross, the Hebrides, Orkney and Shetland.[7]

Two Pictish Class I stones are known to have been removed from Scotland. These are Burghead 5 (Moray), showing the figure of a bull, now in the British Museum, and the Crosskirk stone (Caithness), presented to the King of Denmark in the 19th century, but whose location is currently unknown.

[edit] Class I

  • Aberlemno 1 (The serpent stone), Aberlemno, Angus. Boxed during winter months.
  • The Craw Stane, a six-foot-high Class I stone on top of a hill near Rhynie. A salmon and Pictish Beast are carved on the south-facing side.
  • Dunnichen Stone, a class I stone found at Dunnichen, Angus, now on display at the Meffan Institute in Forfar. A replica stands at its former position in front of Dunnichen church.
  • Tain and District Museum, Tain — Class I stone in the yard and fragments from Edderton churchyard and Nigg in the museum.
  • Inverness Museum, Castle Wynd, Inverness — collection of 8 Class I stones, including the Ardross Wolf and Deer's Head (two of the finest surviving animal symbols, probably originally parts of the same slab), and a fragment that matches a piece in Dunrobin Castle.
  • Knocknagael Boar Stone, Highland Council HQ, Glenurquhart St, Inverness — Class I stone to be seen through a large window. Found at Knocknagael on the outskirts of Inverness.
  • Churchyard Stone, Strathpeffer — Class I stone
  • Clach a'Mheirlich, Rosskeen — Class I stone in a field.[21]
  • Tarbat Discovery Centre, Portmahomack — large collection of excavated fragments and information about the Picts.
  • Sharp Stone (Clach Biorach), Edderton — Class I stone in a field (probable original position), viewable from the roadside.
  • Kincardine Old Church, Ardgay — coffin-shaped monument.
  • Eagle Stone (Clach an Tiompain), Strathpeffer Class I stone.
  • Tote Stone, Tote on the Isle of Skye — Class I stone in small fenced enclosure.

[edit] Class II

[edit] Class III

Class III Pictish stone in Dunblane Cathedral

[edit] Collections

[edit] Gallery of stones

Aberlemno 1; Class I  
Aberlemno 4; Class I  
Brandsbutt Stone; Class I with ogham inscription  
Eagle Stone; Class I  
Fiskavaig Stone; Class I  
Invereen Stone; Class I  
Eassie Stone; Class II  
Woodwrae Stone; Class II  
Aberlemno 3, front face; Class II  
Aberlemno 3 rear face detail; Class II  
Monifieth 1; Class II  
Hilton of Cadboll Stone (replica); Class II  
Dupplin Cross, Class III  
Monifieth 4; Class III  
Camus Cross; Class III  

[edit] See also

[edit] References

  1. ^ Pictish Stones, "The Symbols"
  2. ^ Allen, J.R.; Anderson, J. (1903), Early Christian Monuments of Scotland, Balgavies, Angus: Pinkfoot Press (1993 facsimile) 
  3. ^ Pictish Stones, "Types of Stone".
  4. ^ Pictish Stones, "Types of Stone".
  5. ^ Forsyth, Katherine (1997), Henry, David, ed., "Some thoughts on Pictish Symbols as a formal writing system", The Worm, the Germ and the Thorn. Pictish and related studies presented to Isabel Henderson (Balgavies, Forfar: Pinkfoot Press): pp. 85–98, ISBN 978-1-874012-16-0, http://eprints.gla.ac.uk/3447/1/pictish_symbols_forsyth.pdf, retrieved December 10, 2010 
  6. ^ Pictish Stones, "The Symbols"
  7. ^ a b Fraser, Iain (2008), The Pictish Symbol Stones of Scotland, Edinburgh: Royal Commission on the Ancienct and Historic Monuments of Scotland 
  8. ^ a b Jackson, Anthony (1984), The Symbol Stones of Scotland, Stromness, Orkney: The Orkney Press 
  9. ^ Pictish Stones, "The Symbols"
  10. ^ Graham-Campbell, James (1991), "Norrie's Law, Fife: on the nature and dating of the silver hoard", Proceedings of the Society of Antiquaries of Scotland 121: 241–259, http://ads.ahds.ac.uk/catalogue/adsdata/arch-352-1/dissemination/pdf/vol_121/121_241_260.pdf, retrieved November 25, 2010 
  11. ^ Clark, J Gilchrist (1880), "Notes on a Gold Lunette found at Auchentaggart, Dumfriesshire, and a Massive Silver Chain found at Whitecleugh, Lanarkshire, exhibited by His Grace The Duke of Buccleuch", Proceedings of the Society of Antiquaries of Scotland 14: 222–224, http://ads.ahds.ac.uk/catalogue/adsdata/arch-352-1/dissemination/pdf/vol_014/14_222_229.pdf, retrieved August 1, 2010 
  12. ^ Wainwright, F.T. (1955), The Picts and the Problem, in Wainwright, F.T., , The Problem of the Picts (Edinburgh and London: Nelson) 
  13. ^ Pictish Stones, "The Symbols"
  14. ^ Ravilious, Kate. "Mathematics of ancient carvings reveals lost language". New Scientist. http://www.newscientist.com/article/dn18725-mathematics-of-ancient-carvings-reveals-lost-language.html. 
  15. ^ Lee, Rob; Jonathan, Philip; Ziman, Pauline (31 March 2010), "Pictish symbols revealed as a written language through application of Shannon entropy", Proceedings of the Royal Society, http://rspa.royalsocietypublishing.org/content/early/2010/03/26/rspa.2010.0041.full.pdf. 
  16. ^ Liberman, Mark (April 2, 2010). "Pictish Writing?". http://languagelog.ldc.upenn.edu/nll/?p=2227. Retrieved 17 September 2010. 
  17. ^ "Ancient symbols, computational linguistics, and the reviewing practices of the general science journals." (PDF). Computational Linguistics. http://www.cslu.ogi.edu/~sproatr/newindex/lastwords.pdf. Retrieved 17 September 2010. 
  18. ^ See now the recent hypothesis about, based on the Shannon entropy, in: Rob Lee, Philip Jonathan and Pauline Ziman, "Pictish symbols revealed as a written language through application of Shannon entropy", Proceedings of the Royal Society A: Mathematical, Physical and Engineering Science, 2010 (published online 31 March 2010): abstract, and open access to the article. The press new in New Written Language of Ancient Scotland Discovered. "Once thought to be rock art, carved depictions of soldiers, horses and other figures are in fact part of a written language dating back to the Iron Age. A new written language, belonging to the early Pict society of Scotland, has just been identified" (J. Viegas, News in Discovery.com, Wed Mar 31, 2010).
  19. ^ Griffen, Toby D (March 2000). "The Pictish Art of the Archer Guardian". Southern Illinois University Edwardsville Celtic Studies Association of North America St Louis, Missouri. http://www.fanad.net/csana00.pdf. Retrieved 30 May 2011. 
  20. ^ Griffen, Toby D. "The Grammar of the Pictish Symbol Stones". Southern Illinois University Edwardsville. http://www.fanad.net/lacus00.pdf. Retrieved 30 May 2011. 
  21. ^ Ellen MacNamara, The Pictish Stones of Easter Ross, Tain, 2003
  22. ^ Dougla Scott, The Stones of the Pictish Peninsulas, Hilton Trust, 2004

[edit] External links



22 videos foundNext > 

Tour Aberlemno Pictish Stones Scotland

Tour Aberlemno Pictish Stones in Angus, Scotland. This village and parish is known for carved Pictish stones dating from the 7th and 8th centuries AD. The stones can be viewed at any time in spring to autumn, but are covered by wooden boxes in the winter to prevent frost damage. Two stones and a fragment stand by the B9134 Forfar-Brechin road, the Kirkyard Stone stands in the nearby graveyard of the parish church.

Scotland - Pictish Stones

www.AWellTraveledPath.com Photos of Pictish stones found in Scotland. www.AWellTraveledPath.com

Pictish stones

The Pictish Standing Stones of Aberlemno, Angus, Scotland.

I have known and loved these stones nearly all my life. I attended the primary school just across the road from the 3 stone group, and went to Sunday school and church in Aberlemno Kirk where the single stone is. Looking past the kirkyard standing-stone and opposite, over the dyke, you will catch a glimpse of the Kirkton of Aberlemno farmstead (where I used to go tattie-picking as a bairn). The stones speak for themselves and if you view this video, I hope it may capture for you just a little of their awesome beauty.

How to draw Celtic Knots 9 - Border Triskele Pictish Stone Cross

How to draw a continuous Celtic Triskele knot pattern. This pattern is unique to the Rosie Priory Stone Cross, a Pictish artifact from the 7th century. This triskele is a complex variant of the trillium style knot found on Pictish stones in the 6th century. The simple trillium triskele is shown in part 1 dwww.youtube.com Jason Bellchamber shows the steps involved in constructing this triskele. A paper, pen, pencil, eraser and ruler are required.

The Picts

A short look at the early days of Scotland.

Pictish carvings.wmv

A recreation of the Hilton of Cadboll cresent v rod, a symbol found commonly on pictish stones, its thought to represent the solar movements.(that i will explain in later videos) It has been carved onto a piece of Caithness devonian red sandstone that has been worn down by the sea. please leave comments.

How to Draw Celtic Knots 16 - Willibrord Triskele 1/4

The first segment on how to draw a particular Celtic Triskele. tt is found in the gospel book of St.Willibrord on the borders of the 1st page of St. Matthews gospel. This knot is more advanced compared to my earlier videos. In this video Jason Bellchamber shows how to layout a grid and the spine of the Celtic knot. Patience and practise are required. This book was likely made in 690 CE, predating the book of Lindisfarne and made after the book of Durrow. A triskele is a Celtic motif that is a representation of the number 3. Which in turn likely represented Eternity and then with Christianity the Trinity. The earliest Celtic knots are found on 6th century Pictish Stones and where influenced by Irish, Saxon and Pictish designs. This 'pretzel' like pattern may also be found on an earlier Pictish Cross from Angus.

Foundations of Stone (1of2)

Sculptor Ron Henderson discusses his work and thousands of years of Scottish history as he creates unique stone works in the same stylings of the Picts

Carpathian Red Deer Stag Call

Shot while on hiking holiday in the Carpathian Tatra mountains. The deer doesnt seem that shy as sum tourists behind me were talking. Aside from man and domestic dogs, the Wolf is probably the most dangerous predator that most European Red Deer encounter. Occasionally, the Brown bear will predate on European Red Deer as well.[2] Eurasian Lynx and wild boars sometimes prey on the calves. The leopard in Asia Minor (now extinct) probably preyed on East European Red Deer. Both leopards and lions, which are now extinct in the Atlas Mountains, probably once preyed on Barbary Stags. Red Deer are widely depicted in cave art and are found throughout European caves, with some of the artwork dating from as early as 40000 years ago, during the Upper Paleolithic. Siberian cave art from the Neolithic of 7000 years ago has abundant depictions of Red Deer, including what can be described as spiritual artwork, indicating the importance of this mammal to the peoples of that region (Note: these animals were most likely Wapiti (Cervus canadensis) in Siberia, not Red Deer).[15] Red deer are also often depicted on Pictish stones (c.550-850 AD), from the early medieval period in Scotland, usually as prey animals for human or animal predators.

We're sorry, but there's no news about "Pictish stones" right now.

Loading

Oops, we seem to be having trouble contacting Twitter

Talk About Pictish stones

You can start a Digparty to talk about Pictish stones right now, or post to our new discussions. When people join your Digparty you can all talk, watch videos, browse the web together, create sprites, and listen to music. Really.