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Maple Leaf Rag
by Scott Joplin
First edition cover of the Maple Leaf Rag shows a line drawing of two African-American couples dancing underneath the title Maple Leaf Rag
First edition cover of the Maple Leaf Rag
Genre Ragtime
Form Rag
Published 1899 (1899)
Publisher John Stark & Son
Duration 3:14
Instrument: Piano (solo)
Maple Leaf Rag

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The "Maple Leaf Rag" (copyright registered 18 September 1899)[1] is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, and became the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces.[2] As a result Joplin was called the "King of Ragtime". The piece gave Joplin a steady if unspectacular income for the rest of his life.

Despite ragtime's decline after Joplin's death in 1917, the "Maple Leaf Rag" continued to be recorded by many well-known artists. The Ragtime revival of the 1970s brought it back to mainstream public notice once again.

Background[edit]

Main article: Scott Joplin

The "Maple Leaf Rag" is associated with the city of Sedalia, Missouri, though there is no record of Joplin having a permanent residence there before 1904. Joplin arrived in Sedalia in 1894 as a touring musician and stayed with the family of Arthur Marshall, who later became one of Joplin's students and a ragtime composer in his own right.[3] Joplin show as a solo musician at dances and at the major black clubs in Sedalia, including the "Maple Leaf Club". It is possible that the rag was named after the Maple Leaf Club, although there is no direct evidence to prove the link, and there were many other possible sources for the name in and around Sedalia at the time. [4]

Although there were hundreds of rags in print by the time of the "Maple Leaf Rag's" publication, Joplin was not far behind. His first published rag was "Original Rags" (March 1899). The "Maple Leaf Rag" was already known in Sedalia prior to its publication in 1899; composer and pianist Brun Campbell claimed to have seen the manuscript of the work in around 1898.[5] Prior to its publication, Joplin anticipated that the piece would be a success—he told Arthur Marshall that "The Maple Leaf will make me the king of ragtime composers".[6][7]

Front cover of the third edition of the "Maple Leaf Rag" sheet music

The exact circumstances which led to publication of the "Maple Leaf Rag" are unknown, and there are versions of the event which contradict each other. After approaching several publishers, Joplin signed a contract with John Stillwell Stark on 10 August 1899 for a $0.01 royalty on all sales of the rag, with a minimum sales price of $0.25. The "Maple Leaf Rag" was published between 10 August and 20 September 1899, when the United States Copyright Office received two copies of the score.[8]

The rag was reissued in 1900 or 1901 with a new cover showing a green maple leaf and a photograph of Joplin.[9] In 1903 Stark issued a "Maple Leaf Rag Song", an arrangement of Joplin's music with words by Sydney Brown.[10]

Structure[edit]

AA BB A CC DD

"Maple Leaf Rag" is a multi-strain ragtime march with athletic bass lines and offbeat melodies. Each of the four parts features a recurring theme and a striding bass line with copious seventh chords. The piece may be considered the 'archetypal rag' due to its influence on the genre; its structure was the basis for many other rags, including 'Sensation' by Joseph Lamb.

It is more carefully constructed than almost all the previous rags, and the syncopations, especially in the transition between the first and second strain, were novel at the time.

Generally, the piece is not considered difficult; however, one must have very good coordination in the left hand to perform the piece successfully, particularly for the Trio, which involves leaps of two octaves. When it was first published, it was considered significantly more difficult than the average Tin Pan Alley and early ragtime sheet music common at the time.

The "Gladiolus Rag", a later composition by Joplin, is a developed variant of the Maple Leaf Rag, showcasing Joplin's increasing musical sophistication, and is usually played at a somewhat slower tempo. In addition, the first strain of both Joplin's "The Cascades" and "Sugar Cane" are also similar to "Maple Leaf Rag"'s first strain.

Lyrics[edit]

In 1903 Stark issued a "Maple Leaf Rag Song", an arrangement of Joplin's music with words by Sydney Brown.[10] Brown's lyrics tell the story of a poor man from Accomack County, Virginia, who stumbles into a ballroom where, in spite of his anxiety over the state of his appearance he manages to wow the crowd with the Maple Leaf Rag. While the men are jealous of his dancing abilities and draw their razors, the women love him, and the "finest belle" sends for a carriage and the two of them ride away.[11]

Modern ragtime composer Ron O'Dell has commented that the song has characteristics in common with rap, such as the lyrical themes, the lyrics being written in the African American Vernacular English of the time, and the fact that the lyrics are sung over the least melodic strain of the music.

Popularity and legacy[edit]


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A June 1916 Piano Roll recording of Scott Joplin for The Aeolian Company.

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There have been many claims about the sales of the "Maple Leaf Rag", for example that 1 million copies of the sheet music were sold in the composer's lifetime, making Scott Joplin the first musician to sell 1 million copies of a piece of instrumental music.[2][15] Joplin's first biographer Rudi Blesh wrote that during its first six months the piece sold 75,000 copies, and became "the first great instrumental sheet music hit in America".[15] However, research by Joplin's later biographer Edward A. Berlin demonstrated that this was not the case; the initial print-run of 400 took one year to sell, and under the terms of Joplin's contract with a 1% royalty would have given Joplin an income of $4, or approximately $113 in current value. Later sales were steady and would have given Joplin an income which would have covered his expenses; in 1909 estimated sales would have given him an income of $600 annually (approximately $15,749 in current prices).[8]

In addition to sales of sheet music, it was also popular in orchestrations for dance bands and brass bands for years. Joplin failed to repeat the success of Maple Leaf Rag, with none of his other famous rags (such as The Entertainer) garnering as much popularity as the Maple Leaf Rag did. The royalties earned by the sheet music sales did provide Joplin with a steady income for the rest of his life, however.

Soon after the "Maple Leaf Rag's" publication the earliest recordings of the rag took place; band leader Wilbur Sweatman recorded it onto Phonograph cylinder a year later, but there are no known copies which have survived.[10][13][14] The first surviving record of the rag comes from the second known recording of the rag by the United States Military Band from 1906.[12]

While Joplin never made an audio recording, his playing is preserved on seven piano rolls for use in mechanical player pianos. All seven were made in 1916. Berlin theorizes that by the time Joplin made these recordings he may have been experiencing discoordination of the fingers, tremors and an inability to speak clearly, symptoms of syphilis, the disease that took his life in 1917.[16] The recording of "Maple Leaf Rag", on the Aeolian Uni-Record label from June 1916 was described by biographer Blesh as "... shocking... disorganized and completely distressing to hear."[17] Berlin notes that the "Maple Leaf Rag" roll was "painfully bad" and likely to be the truest record of Joplin's playing at the time. The roll, however, does not reflect his abilities earlier in life.[18]

The song was a selection in the White Star Line songbook in the early 1900s, and was - possibly - played aboard the R.M.S. Titanic during its ill-fated maiden voyage in 1912.

The tune continued to be in the repertoire of jazz bands decades later, with artists such as the New Orleans Rhythm Kings in the 1920s, and Sidney Bechet in the 1930s giving it up-to-date adaptations, maintaining a timeless quality to it. As an indication of its persistent popularity and recognition, it was performed on phonograph records six times in each of the three decades after its first publication.[19] In 1930, it was featured in the gangster movie classic, The Public Enemy. "Maple Leaf Rag" was the Joplin piece found most often on 78 rpm records.[12]

In November 1970, Joshua Rifkin released a recording called Scott Joplin: Piano Rags[20] on the classical label Nonesuch, which featured as its first track the "Maple Leaf Rag". It sold 100,000 copies in its first year and eventually became Nonesuch's first million-selling record.[21] The Billboard "Best-Selling Classical LPs" chart for 28 September 1974 has the record at number 5, with the follow-up "Volume 2" at number 4, and a combined set of both volumes at number 3. Separately both volumes had been on the chart for 64 weeks.[22] The album was nominated in 1971 for two Grammy Award categories: Best Album Notes and Best Instrumental Soloist Performance (without orchestra), but at the ceremony on 14 March 1972, Rifkin did not win in any category.[23] In 1979 Alan Rich in the New York Magazine wrote that by giving artists like Rifkin the opportunity to put Joplin's music on disk Nonesuch Records "created, almost alone, the Scott Joplin revival."[24]

The "Maple Leaf Rag" is still a favorite of ragtime pianists, and has been described as an "American institution... still in print and still popular".[15] As the copyright has expired, the composition is in the public domain. It appears in the soundtracks of hundreds of films, cartoons, commercials, and video games. In 2004 Canadian radio listeners voted it the 39th greatest song of all time.[25]

In Joplin's will, he requested that the Maple Leaf Rag be played at his funeral. When preparations were being made however, his wife did not allow it because she did not think it was a proper funeral song. She admitted regretting that decision her whole life.

See also[edit]

References[edit]

  1. ^ Jasen & Tichenor 1978, p. 87.
  2. ^ a b Edwards 2008.
  3. ^ Berlin 1994, p. 24 & 25.
  4. ^ Berlin 1994, p. 62.
  5. ^ Berlin 1994, p. 47 & 52.
  6. ^ Berlin 1994, p. 52.
  7. ^ Blesh & Janis 1971, p. 33.
  8. ^ a b Berlin 1994, p. 56 & 58.
  9. ^ Berlin 1994, p. 59.
  10. ^ a b c d Berlin 1994, p. 131 & 132.
  11. ^ http://www.perfessorbill.com/lyrics/lymaple.htm
  12. ^ a b c Jasen 1981, p. 319 - 320.
  13. ^ a b Edwards 2010.
  14. ^ a b RedHotJazz.
  15. ^ a b c Blesh 1981, p. xxiii.
  16. ^ Berlin (1996) pp. 237 & 239.
  17. ^ Blesh 1981, p. xxxix.
  18. ^ Berlin 1994, p. 237.
  19. ^ Berlin 1994.
  20. ^ "Scott Joplin Piano Rags Nonesuch Records CD (w/bonus tracks)". Retrieved 2009-03-19. 
  21. ^ "Nonesuch Records". Retrieved 2009-03-19. 
  22. ^ Billboard magazine 1974, p. 61.
  23. ^ LA Times.
  24. ^ Rich 1979.
  25. ^ CBC Radio 2004.

Sources[edit]

External links[edit]


Original courtesy of Wikipedia: http://en.wikipedia.org/wiki/Maple_Leaf_Rag — Please support Wikipedia.
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20 news items

San Diego Gay & Lesbian News

San Diego Gay & Lesbian News
Tue, 30 Sep 2014 09:41:15 -0700

Scott Joplin is best known for his ragtime music, especially the 1899 “Maple Leaf Rag,” which made his name. Not many facts about his life have been confirmed, not even his birth date or place. He was probably born in northeastern Texas around 1868 ...

U-T San Diego

U-T San Diego
Sat, 27 Sep 2014 10:48:45 -0700

Although Joplin made the music form mainstream with his million-selling “Maple Leaf Rag” in 1899, his efforts to earn critical respect and advance the form with operas like “Treemonisha” were failures. In 1917, the 49-year-old Joplin died penniless in ...
 
Courieranywhere
Fri, 05 Sep 2014 07:26:15 -0700

This year's pops program, “What's That Jazz,” features several popular numbers including Scott Joplin's “Maple Leaf Rag;” songs from the International Dixieland Jamboree, “Bill Bailey” and “When the Saints Go Marching In;” and Glenn Miller's “Moonlight ...
 
The Republican - masslive.com
Wed, 24 Sep 2014 04:37:30 -0700

It's an appropriate venue, as the church's organist, Michael-Thomas Gilman, is given to ending many Sunday worship services with a Scott Joplin ragtime tune, such as “Maple Leaf Rag” or “The Easy Winners.” “I think it is right and fitting to use this ...

Walla Walla Union-Bulletin

Walla Walla Union-Bulletin
Thu, 25 Sep 2014 10:37:30 -0700

President Theodore Roosevelt's daughter requested jazz music — Scott Joplin's “Maple Leaf Rag” — which may have seemed controversial for its day, but a request that the band members readily fulfilled. President Bill Clinton's association with the ...
 
Cortez Journal
Thu, 04 Sep 2014 12:41:15 -0700

According to Martin, “Maple Leaf Rag,” known for its distinct rhythm and catchy introduction, is one of her favorite pieces of music. “I've just always liked “Maple Leaf Rag,” said Martin. “It's really fun (to play).” Martin's Grand Champion ...
 
Jackson Clarion Ledger
Mon, 15 Sep 2014 07:17:41 -0700

September 18, 1899: Scott Joplin copyrighted the Maple Leaf Rag, which went on to sell more than 1 million copies of sheet music. Joplin was buried in a pauper's grave in New York City in 1917. More than six decades later, his music was rediscovered ...

Rochdale Online

Rochdale Online
Tue, 23 Sep 2014 09:30:00 -0700

... a Sidney Bechet tune known variously as Rubber Plant Rag and The Coffee Grinder followed, then Maple Leaf Rag and after a deceptively leisurely first few bars the set ended to sustained applause with Williams at the microphone and After You've Gone.
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