Carter-style lick.^[1]  Play (help·info)

In popular music genres such as rock or jazz music, a lick is "a stock pattern or phrase" ^[2] consisting of a short series of notes that is used in solos and melodic lines and accompaniment. Licks in rock and roll are often used through a formula, and variations technique in which variants of simple, stock ideas are blended and developed during the solo.

In a jazz band, a lick may be performed during an improvised solo, either during an accompanied solo chorus or during an unaccompanied solo break. Jazz licks are usually original short phrases which can be altered so that they can be used over a song's changing harmonic progressions.

Similar concepts [edit]

A lick is different from the related concept of a riff in that riffs can also include repeated chord progressions. Licks are usually associated with single-note melodic lines rather than chord progressions. However, like riffs, licks can be used as the basis of an entire song. Single-line riffs or licks used as the basis of Western classical music pieces are called ostinatos. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin jazz.

A lick can be a hook, if the lick meets the definition of a hook: "a musical idea, a passage or phrase, that is believed to be appealing and make the song stand out", and "catch the ear of the listener".^[3] A lick may be incorporated into a fill, which is a short passage played in the pause between phrases of a melody.

For musicians, learning a lick is usually a form of imitation. Imitating style is as important as learning the appropriate scale over a given chords.^{[4][verification needed]} By imitating, musicians understand and analyze what others have done, which in turn allows them to build a vocabulary of their own.

See also [edit]

• Vamp (music)

Sources [edit]

1. ^ Sokolow, Fred (1997). Complete Country Guitar Book, p.9. ISBN 978-0-7866-2841-4.
2. ^ Middleton, Richard (1990), Studying Popular Music, Philadelphia: Open University Press (published 2002), p. 137, ISBN 0-335-15275-9 
3. ^ Covach, John. "Form in Rock Music: A Primer", in Stein, Deborah (2005). Engaging Music: Essays in Music Analysis, p.71. New York: Oxford University Press. ISBN 0-19-517010-5.
4. ^ Rengel, Matias T. (2011), Licks for Everyone, Boston, p. 137, ISBN 978-987-33-0383-8 

v t e Musical form and development Arch form Bar form Binary form Call and response Cell Coda Conclusion Cycle Cyclic form Developing variation Exposition Finale Hook Lick Motif Movement Period Recapitulation Repetition Reprise Rondo Section Sonata form Sonata rondo form Song structure (popular music) Strophic form Ternary form Theme Thirty-two-bar form Through-composed Transition Variation Verse–chorus form

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