Liberace in 1974
|Birth name||Władziu Valentino Liberace|
|Also known as||Walter Busterkeys
The Glitter Man
May 16, 1919|
West Allis, Wisconsin, United States
|Died||February 4, 1987
Palm Springs, California, United States
|Occupations||Pianist, Entertainer actor|
|Associated acts||George Liberace, Ignacy Jan Paderewski|
|Mirror Chandler Baldwin Grand Piano|
In a career that spanned four decades of concerts, recordings, motion pictures, television and endorsements, Liberace became world-famous. During the 1950s–1970s he was the highest-paid entertainer in the world and embraced a lifestyle of flamboyant excess both on and off the stage.
Early life 
Liberace, known as "Lee" to his friends and "Walter" to family, was born in West Allis, Wisconsin, to Frances Zuchowska (August 31, 1892 – November 1, 1980), who was of Polish descent, and Salvatore ("Sam") Liberace (December 9, 1885 – April 1, 1977), an emigrant from Formia, Italy. He had a twin who died at birth. He was born with a caul, which in his family, as in many societies, was taken as a sign of genius and an exceptional future. Liberace's father was a musician who played the French horn in bands and movie theaters but sometimes was a factory worker or laborer. While his father encouraged music in the family, his mother was not musical and thought music lessons and a record player were unaffordable luxuries, causing family disputes. Liberace later stated, "My dad's love and respect for music created in him a deep determination to give as his legacy to the world, a family of musicians dedicated to the advancement of the art".
Liberace began playing the piano at age four. His father took his children to concerts to further expose them to music, but he was also a taskmaster demanding high standards from the children in practice and performance. Liberace's prodigious talent was in evidence early. He memorized difficult pieces by age seven. He studied the technique of the famous Polish pianist and later family friend Ignacy Paderewski and at eight met him backstage at the Pabst Theater in Milwaukee. "I was intoxicated by the joy I got from the great virtuoso's playing. My dreams were filled with fantasies of following his footsteps…Inspired and fired with ambition, I began to practice with a fervor that made my previous interest in the piano look like neglect."
The Great Depression was hard on the family financially. The early-teenage Liberace also suffered from a speech problem and from the taunts of neighborhood children who mocked his avoidance of sports and his fondness for the piano and for cooking. Liberace focused fiercely on his piano playing and blossomed under the instruction of music teacher Florence Kelly who guided his musical development for ten years. He gained experience playing popular music in theaters, on local radio, for dancing classes, for clubs, and for weddings. He played jazz with a school group called the "Mixers" in 1934, then other groups later. Liberace also performed in cabarets and strip clubs; even though his parents did not approve, he was earning a tidy living during hard times. For a while he adopted the stage name "Walter Busterkeys". He also showed an interest in draftsmanship, design, and painting, and he became a fastidious dresser and follower of fashion. By then, he was already showing the knack of turning his eccentricities into attention-getting practices, and attained popularity at school, though mostly as an object of comic relief.
Early career 
In a formal classical music competition in 1937, Liberace was praised for his "flair and showmanship". At the end of a traditional classical concert in La Crosse, Wisconsin in 1939, Liberace played his first requested encore, "Three Little Fishes", which he played in the style of several different classical composers. The 20-year-old played with the Chicago Symphony Orchestra on January 15, 1940, at the Pabst Theatre in Milwaukee, Wisconsin, performing Liszt's Second Piano Concerto under the baton of Hans Lange, for which he received strong reviews. He also toured in the Midwest.
Between 1942 and 1944, Liberace moved away from straight classical performance and reinvented his act to one featuring "pop with a bit of classics" or as he also called it "classical music with the boring parts left out." In the early 1940s, he struggled in New York City but by the mid- and late 1940s, he was performing in night clubs in major cities around the US, largely abandoning the classical concertgoer. He changed from classical pianist to showman, unpredictably and whimsically mixing serious with light fare, e.g., Chopin with "Home on the Range." For a while, he played piano along with a phonograph record player on stage. The gimmick helped gain him attention. He also added interaction with the audience—taking requests, talking with the patrons, cracking jokes, giving lessons to chosen audience members—and began to pay greater attention to such details as staging, lighting, and presentation. The transformation to entertainer was driven by Liberace's desire to connect directly with his audiences, and secondarily from the reality of the difficult competition in the classical piano world.
In 1943, he appeared in a couple of Soundies (the 1940s precursor to music videos). He re-created two flashy numbers from his nightclub act, "Tiger Rag" and "Twelfth Street Rag". In these films he was billed as Walter Liberace. Both "Soundies" were later released to the home-movie market by Castle Films. In 1944, he made his first appearances in Las Vegas, which later became his principal venue. He was playing at the best clubs, finally appearing at the celebrated Persian Room in 1945, with Variety proclaiming, "Liberace looks like a cross between Cary Grant and Robert Alda. He has an effective manner, attractive hands which he spotlights properly and, withal, rings the bell in the dramatically lighted, well-presented, showmanly routine. He should snowball into box office." The Chicago Times was similarly impressed: He "made like Chopin one minute and then turns on a Chico Marx bit the next."
During this time, Liberace worked to refine his act. He added the candelabrum as a signature prop and adopted "Liberace" as his stage name, making a point in press releases that it was pronounced "Liber-Ah-chee". He wore white tie and tails for better visibility in large halls. Besides clubs and occasional work as an accompanist and rehearsal pianist, Liberace played for private parties, including those at the Park Avenue home of millionaire oilman J. Paul Getty. By 1947, he was billing himself as "Liberace—the most amazing piano virtuoso of the present day." He had to have a piano to match his growing presence, so he bought a rare, over-sized, gold-leafed Blüthner Grand, which he hyped up in his press kit as a "priceless piano." (Later, he performed with an array of extravagant, custom-decorated pianos, some encrusted with sequins and mirrors.) He moved to North Hollywood, California in 1947 and was performing at local clubs, such as Ciro's and The Mocambo, for stars such as Rosalind Russell, Clark Gable, Gloria Swanson, and Shirley Temple. He did not always play to packed rooms, and he learned to perform with extra energy to thinner crowds, to maintain his own enthusiasm.
Liberace created a very successful publicity machine which helped rocket him to stardom. In 1950, he performed for music-loving President Harry S. Truman in the East room of the White House. Despite his success in the supper-club circuit, where he was often an intermission act, his ambition was to reach larger audiences as a headliner and a television, movie, and recording star. Liberace began to expand his act and made it more extravagant, with more costumes and a larger supporting cast. His large-scale Las Vegas act became his hallmark, expanding his fan base, and making him wealthy.
His New York City performance at Madison Square Garden in 1954, which earned him a record $138,000 for one performance, was more successful than the great triumph his idol Paderewski had made twenty years earlier. By 1955, he was making $50,000 per week at the Riviera Hotel and Casino in Las Vegas and had over 200 official fan clubs with a quarter of a million member fans. He was making over $1 million per year from public appearances, and millions from television. Liberace was frequently covered by the major magazines and he became a pop culture superstar, but he also became the butt of jokes by comedians and the public.
Music critics were generally harsh in their assessment of his piano playing. Critic Lewis Funke wrote after the Carnegie Hall concert, Liberace's music "must be served with all the available tricks, as loud as possible, as soft as possible, and as sentimental as possible. It's almost all showmanship topped by whipped cream and cherries." Even worse was his lack of reverence and fealty to the great composers. "Liberace recreates—if that is the word—each composition in his own image. When it is too difficult, he simplifies it. When it is too simple, he complicates it." His sloppy technique included "slackness of rhythms, wrong tempos, distorted phrasing, an excess of prettification and sentimentality, a failure to stick to what the composer has written."
Liberace once stated, "I don't give concerts, I put on a show." Unlike the concerts of classical pianists which normally ended with applause and a retreat off-stage, Liberace's shows ended with the public invited on-stage to touch his clothes, piano, jewelry, and hands. Kisses, handshakes, hugs, and caresses usually followed. A critic summed up his appeal near the end of Liberace's life: "Mr. Showmanship has another more potent, drawing power to his show: the warm and wonderful way he works his audience. Surprisingly enough, behind all the glitz glitter, the corny false modesty and the shy smile, Liberace exudes a love that is returned to him a thousand-fold."
In contrast to his flamboyant stage presence, Liberace was a conservative in his politics and faith, eschewing dissidents and rebels. He believed fervently in capitalism but was also fascinated with royalty, ceremony, and luxury. He loved to hobnob with the "rich and famous," acting as star-struck with presidents and kings as his fans behaved with him. Yet to his fans, he was still one of them, a Midwesterner who had earned his success through hard work—and who invited them to enjoy it with him.
In the next phase of his life, having earned sudden wealth, Liberace spent lavishly—incorporating materialism into his life and his act. He designed and built his first celebrity house in 1953, with a piano theme appearing throughout, including a piano-shaped swimming pool. His dream home with its lavish furnishings, elaborate bath, and antiques throughout, added to his appeal. He leveraged his fame through hundreds of promotional tie-ins with banks, insurance companies, automobile companies, food companies—even morticians. Liberace was considered a perfect pitchman, given his folksy connection with his vast audience of housewives. Sponsors sent him complimentary products, including his white Cadillac limousine, and he reciprocated enthusiastically; "If I am selling tuna fish, I believe in tuna fish."
The critics had a field day with his gimmicky act, his showy but careful piano playing, his non-stop promotions, and his gaudy display of success, but he always had the last laugh, as preserved by the famous quotation, first recorded in a letter to a critic, "Thank you for your very amusing review. After reading it, in fact, my brother George and I laughed all the way to the bank." He used a similar response to subsequent poor reviews, famously modifying it to "I cried all the way to the bank." In an appearance on The Tonight Show some years later, Liberace re-ran the anecdote to Johnny Carson, and finished it by saying, "I don't cry all the way to the bank any more – I bought the bank!"
Early television work and The Liberace Show 
Liberace mostly bypassed radio before trying a television career, thinking radio unsuitable given his act's dependency on the visual. Despite his enthusiasm about the possibilities of television, Liberace was disappointed after his early guest appearances on CBS's The Kate Smith Show, starring Kate Smith, and DuMont's Cavalcade of Stars, with Jackie Gleason (later The Jackie Gleason Show on CBS). Liberace was particularly displeased with the frenetic camera work and his short appearance time. He soon wanted his own show where he could control his presentation as he did with his club shows. His first show on local television in Los Angeles was a smash hit, earning the highest ratings of any local show, which he parlayed into a sold out appearance at the Hollywood Bowl. That led to a summer replacement program for Dinah Shore.
The fifteen-minute network television program, The Liberace Show, began on July 1, 1952, but did not lead to a regular network series. Instead producer Duke Goldstone mounted a filmed version of Liberace's local show performed before a live audience for syndication in 1953, and sold it to scores of local stations. The widespread exposure of the syndicated series made the pianist more popular and prosperous than ever. His first two years earnings from television netted him $7 million and on future re-runs he earned up to 80% of the profits.
Liberace learned early on to add "schmaltz" to his television show and to cater to the tastes of the mass audience by joking and chatting to the camera, as if performing in the viewer's own living room. He also used dramatic lighting, split images, costume changes, and exaggerated hand movements to create visual interest. His television performances featured enthusiasm and humor.
Liberace also employed "ritualistic domesticity", used by such early TV greats as Jack Benny and Lucille Ball. His brother George often appeared as guest violinist and orchestra director, and his mother was usually in the front row of the audience, with brother Rudy and sister Angelina often mentioned to lend an air of "family." Liberace began each show in the same way, then mixed production numbers with chat, and signed off each broadcast softly singing "I'll Be Seeing You," which he made his theme song. His musical selections were broad, including classics, show tunes, film melodies, Latin rhythms, ethnic songs, and boogie-woogie.
The show was so popular with his mostly female television audience that he drew over thirty million viewers at any one time and received ten thousand fan letters per week. His show was also one of the first to be shown on British commercial television in the 1950s, where it was broadcast on Sunday afternoons by Lew Grade's Associated TeleVision. This exposure gave Liberace a dedicated following in the United Kingdom. Homosexual men also found him appealing. According to author Darden Asbury Pyron, "Liberace was the first gay person Elton John had ever seen on television; he became his hero."
After The Liberace Show 
In 1956, Liberace had his first international engagement, playing successfully in Havana, Cuba. He followed up with a European tour later that year. Always a devout Catholic, Liberace considered his meeting with Pope Pius XII a highlight of his life. In 1960, Liberace performed at the London Palladium with Nat King Cole and Sammy Davis Jr. (this was the first televised "command performance", now known as "The Royal Variety Show" for Queen Elizabeth II).
On July 19, 1957, hours after Liberace gave a deposition in his $25 million libel suit against Confidential magazine, two masked intruders attacked his mother in the garage of Liberace's home in Sherman Oaks. She was beaten and kicked, but her heavy corset may have protected her from being badly injured. Liberace was not informed about the assault until he finished his midnight show at the Moulin Rouge nightclub. Guards were hired to watch over Liberace's house and the houses of his two brothers.
Despite successful European tours, his career had in fact been slumping since 1957. But Liberace built it back up by appealing directly to his fan base. Through live appearances in small town supper clubs, and with television and promotional appearances, he began to regain popularity. On November 22, 1963, he suffered renal failure, reportedly from accidentally inhaling in a hotel room excessive amounts of dry cleaning fumes from his newly cleaned costumes and nearly died. He later said that what saved him from further injury was being woken up by his entourage to the news that John F. Kennedy had been assassinated. Told by doctors that his condition was fatal, he began to spend his entire fortune by buying extravagant gifts of furs, jewels, and even a house for friends, but then recovered after a month.
Re-energized, Liberace returned to Las Vegas, and, upping the glamour and glitz, he took on the sobriquet "Mr. Showmanship." As his act swelled with spectacle, he famously stated, "I'm a one-man Disneyland." The costumes became more exotic (ostrich feathers, mink, capes and huge rings), entrances and exits more elaborate (chauffeured onstage in a Rolls-Royce or dropped in on a wire like Peter Pan), choreography more complex (involving chorus girls, cars, and animals), and the novelty acts especially talented, with juvenile acts including Australian singer Jamie Redfern and Canadian banjo player Scotty Plummer. Barbra Streisand was his most notable new adult act, early in her career.
Liberace's energy and commercial ambitions took him in many directions. He owned an antiques store in Beverly Hills, California, and a restaurant in Las Vegas for many years. He even published cookbooks, the most famous of these being Liberace Cooks, co-authored by cookbook guru Carol Truax, which included "Liberace Lasagna" and "Liberace Sticky Buns." The book features recipes "from his seven dining rooms" (of his Hollywood home).
In 1970 Liberace competed against Irish actor Richard Harris for the purchase of The Tower House, in Holland Park, West London. Harris eventually bought the house after discovering that Liberace had agreed to buy it but had not yet not put down a deposit. British entertainer Danny La Rue visited The Tower House with Liberace, and later recounted in his autobiography a paranormal experience that he had there with him.
Throughout the 1970s and early 1980s, Liberace's live shows were major box office attractions at the Las Vegas Hilton and Lake Tahoe, where he would earn $300,000 a week.
Later television work 
Liberace also made significant appearances on other shows like The Ed Sullivan Show, The Ford Show, Starring Tennessee Ernie Ford, Edward R. Murrow's Person to Person and on the shows of Jack Benny and Red Skelton, on which he often parodied his own persona. A new Liberace Show premiered on ABC's daytime schedule in 1958, featuring a less flamboyant, less glamorous persona, but it failed in six months, as his popularity began slumping. Liberace received a star on the Hollywood Walk of Fame in 1960 for his contributions to the television industry. Liberace continued on television as a frequent and welcomed guest on The Tonight Show with Jack Paar in the 1960s, with memorable exchanges with Zsa Zsa Gabor and Muhammad Ali, and later with Johnny Carson. He was also Red Skelton's 1969 CBS summer replacement with his own variety hour, taped in London; Skelton's and Lew Grade's production companies co-produced this program. In a cameo on The Monkees he appeared at an avant-garde art gallery as himself, gleefully smashing a grand piano with a sledgehammer as Mike Nesmith looked on and cringed in mock agony. During the 1970s, his appearances included guest roles on episodes of Here's Lucy and Kojak.
In 1966, Liberace appeared in the highly popular TV show Batman with Adam West and Burt Ward, playing a dual role as concert pianist Chandell and his gangster-like twin Harry, who was extorting Chandell into a life of crime as "Fingers", in the episodes "The Devil's Fingers" and "The Dead Ringers", both written by Lorenzo Semple Jr., who had developed Batman for television. The episodes of this two-part story were, according to Joel Eisner's The Official Batman Batbook, the highest-rated of all the show's episodes.
In 1970, Liberace appeared on an episode of Here's Lucy, in which Craig (Desi Arnaz, Jr.) borrows a candelabra for a high school club initiation.
Television specials were made from Liberace's show at the Las Vegas Hilton in 1978 and 1979 which were broadcast on CBS.
In the 1980s, he guest-starred on television shows such as Saturday Night Live (on a 10th-season episode hosted by Hulk Hogan and Mr. T), and the 1984 film Special People. In 1985, he appeared at the first WrestleMania as the guest timekeeper for the main event.
Even before his arrival in Hollywood in 1947, Liberace wanted to add acting to his list of accomplishments. His exposure to the Hollywood crowd through his club performances led to his first movie appearance in 1950 in Universal's South Sea Sinner, a black-and-white, tropical-island drama starring Macdonald Carey and Shelley Winters, in which he was 14th-billed as "a Hoagy Carmichael sort of character with long hair." Liberace also appeared as a guest star in two compilation features for RKO Radio Pictures. Footlight Varieties was an imitation-vaudeville hour released in 1951 and a little-known sequel, Merry Mirthquakes (1953), featured Liberace as master of ceremonies.
In 1955, Liberace was at the height of his career when tapped by Warner Bros. for his first starring motion picture, “Sincerely Yours,” a remake of the 1932 The Man Who Played God, with George Arliss as a deaf concert pianist. April, 1955 Modern Screen magazine claimed Doris Day has been most often mentioned as Liberace’s leading lady, “but it is doubtful that Doris will play the role. Liberace’s name alone will pack theatres and generous Liberace would like to give a newcomer a break.” When “Sincerely Yours” was released in November, the studio mounted an ad and poster campaign with Liberace’s name in huge, eccentric, building-block letters above and much larger than the title. “Fabulously yours in his first starring motion picture!” was a tag line. The other players and staff were smallish at the bottom. Then … zonk! A critical and commercial bomb. Liberace’s eccentric stage charisma did not translate as leading man to the screen. Warners quickly issued a pressbook ad supplement with new billing. “Starring” below the title, in equal plain letters: “Liberace, Joanne Dru, Dorothy Malone.” In response to the latter. TCM’s Robert Osborne recalls a more dramatic demotion: When “Sincerely Yours” played first run at the Orpheum in Seattle, the billing was altered even more: Joanne Dru, Dorothy Malone and Alex Nicol above the title (with big head shots of all three) and below the title in much smaller letters: "with Liberace at the piano."
In 1965, he had a small part in the movie When the Boys Meet the Girls starring Connie Francis, essentially playing himself. He received kudos in 1966 for his brief role as a casket salesman in the film adaptation of The Loved One, Evelyn Waugh's satire of the funeral business and movie industry in Southern California.
The huge success of Liberace's syndicated television show was the main impetus behind his record sales. From 1947 to 1951, he produced about 10 disks. By 1954, it jumped to nearly 70. He released several recordings through Columbia Records including Liberace by Candlelight (later on Dot and through direct television advertising) and sold over 400,000 albums by mid-1954. His most popular single was "Ave Maria", selling over 300,000 copies.
Lawsuits and allegations of homosexuality 
Liberace's fame in the United States was matched for a time in the United Kingdom. In 1956, an article in The Daily Mirror by veteran columnist Cassandra (William Connor) mentioned that Liberace was "…the summit of sex—the pinnacle of masculine, feminine, and neuter. Everything that he, she, and it can ever want… a deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavoured, mincing, ice-covered heap of mother love", a description which did everything it could to imply he was homosexual without actually saying so.
Liberace sent a telegram that read: "What you said hurt me very much. I cried all the way to the bank." (This phrase was already in use by the 1940s.) He sued the newspaper for libel, testifying in a London court that he was not a homosexual and had never taken part in homosexual acts. He won the suit, partly on the basis of the term 'fruit-flavoured', which was held to imply homosexuality. The £8,000 damages he received from The Daily Mirror (approximately $22,000) led Liberace to repeat the catchphrase to reporters: "I cried all the way to the bank!" Liberace's popularization of the phrase inspired the title of Crying All the Way to the Bank, a detailed report of the trial based on transcripts, court reports and interviews, by the former Daily Mirror journalist Revel Barker.
Liberace fought and settled a similar case in the United States against Confidential. Rumors and gossip magazines frequently alleged behavior that strongly implied that he was homosexual. A typical issue of Confidential in 1957 shouted, "Why Liberace's Theme Song Should Be 'Mad About the Boy!'"
In 1982, Scott Thorson, Liberace's 22-year-old former chauffeur and alleged live-in lover of five years, sued the pianist for $113 million in palimony after he was let go by Liberace. Liberace continued publicly to deny that he was homosexual and insisted that Thorson was never his lover. The case was settled out of court in 1986, with Thorson receiving a $95,000 settlement. Thorson stated after Liberace's death that he settled because he knew that Liberace was in profoundly ill health, and that he had intended to sue based on conversion of property rather than palimony.
Since Liberace never admitted that he was homosexual, confusion over his true sexuality was further muddled in the public's mind by his public friendships and romantic links with women. Articles like "Mature Women Are Best: TV's Top Pianist Reveals What Kind of Woman He'd Marry" were published.
Final appearances and death 
Liberace's final stage performance was at New York's Radio City Music Hall on November 2, 1986; it was his 18th show in 21 days, and the series grossed $2.5 million. His final television appearance was on Christmas Day that same year on The Oprah Winfrey Show, which was videotaped a month earlier.
Liberace died of pneumonia caused by AIDS on February 4, 1987, age 67, at his winter home in Palm Springs, California. The cause of death differs from those—anemia, emphysema, and heart disease—attested to by Liberace's doctor on the death certificate. The Riverside County coroner who conducted the autopsy stated that there had been a deliberate attempt to hide the actual cause of death. How and when Liberace became HIV positive has never been made public. Author Darden Asbury Pyron writes that Liberace had been "HIV-positive and symptomatic" from 1985.
Closure of Liberace Museum and Tivoli Gardens Restaurant 
In October 2010, the Liberace Museum in Las Vegas closed after 31 years of being open to the general public. In June 2011, Liberace's Tivoli Gardens Restaurant, then operated by Carluccio's, closed its location next to the museum and relocated elsewhere. According to Liberace Foundation President Jack Rappaport, the museum had been in negotiations with money interests on the Las Vegas strip to relocate the museum, but were unsuccessful. The Liberace Foundation, which provides college scholarships to up-and-coming performers, continued to function.
In popular culture 
- In 1988 a television movie entitled Liberace aired on ABC, starring Andrew Robinson, John Rubinstein, Maris Valainis, Deborah Goodrich, Louis Giambalvo, and Kario Salem.
- In 1988, a Canada-US made-for-TV movie biography, Liberace: Behind the Music was aired. Victor Garber played Liberace, while Saul Rubinek played Seymour Heller. Maureen Stapleton played his mother Frances and Michael Dolan appeared as Scott Thorson. Reviewer Hal Erickson stated, "Liberace: Behind the Music could have descended into tabloidism...but emerges as a work of conspicuous dignity and (reasonably) good taste."
- In August 2007, Kashi Kicks announced the release of the Liberace shoe, to honor “the King of Bling”. This was done in collaboration with the Liberace Foundation of Las Vegas.
- Bobby Crush played Liberace in a show called Liberace: Live From Heaven, which began on stage in early 2010. It is based on what happened when Liberace died. His task was to impress the angels (the audience) who would vote if he should go to heaven or hell with their show itinerary booklet which displays heaven and hell on either side of it. The show featured the voices of Stephen Fry as Saint Peter and Victoria Wood as God. The performance reflects upon the events Liberace faced in court, lying on the Bible and defends his homosexuality, claiming that lying was the only way of keeping his career safe.
- In 1994, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him.
Behind the Candelabra 
The film version of the book is set to air on HBO on May 26th, 2013. Michael Douglas stars as Liberace, with Matt Damon playing Thorson, in a story centered on the relationship the two shared and its aftermath. The film was filmed in Santa Clarita, Los Angeles, and Palm Springs, California during the summer of 2012. The film was directed by Steven Soderbergh and produced by Jerry Weintraub, with a screenplay by Richard LaGravenese based on Thorson's book. The film score was reportedly to be written by Marvin Hamlisch, who died in August 2012. It has been selected to compete for the Palme d'Or at the 2013 Cannes Film Festival. The HBO release date coincides with the final date of the festival.
- Liberace: An Autobiography, by Liberace. Putnam and Co. Ltd, New York, 1973 (hardcover)
- The Things I Love, by Liberace with Tony Palmer (editor). Grosset & Dunlap, New York, 1976 (hardcover)
- The Wonderful Private World of Liberace, by Liberace and Michael Segell. Harper and Row, New York, 1986 (hardcover)
- Crying All The Way To The Bank, by Revel Barker (Famous Trials) 2009
- The Liberace Story, by Chester Whitehorn (editor). Screen Publications Inc, New York, 1955 (softcover – #4 in the Candid Profile series)
- Liberace: On Stage and Off, by Anthony Monahan. GRT Music Productions, Sunnyvale California, 1976 (hardcover)
- Liberace: The True Story, by Bob Thomas. St. Martins Press, New York, 1987 (hardcover)
- Behind the Candelabra: My Life With Liberace, by Scott Thorson with Alex Thorleifson. E.P. Dutton, New York, 1988 (hardcover)
- Liberace: A Bio-Bibliography, by Jocelyn Faris. Greenwood Press, Westport CT, 1995
- Liberace: An American Boy, by Darden Asbury Pyron. University of Chicago Press, 2000, (hardcover)
- Liberace (Lives of Notable Gay Men and Lesbians), by Ray Mungo and Martin B. Duberman. Chelsea House Publications
- Liberace Cooks, by Carol Truax. Doubleday, New York, 1970 (hardcover)
- Cookbook of the Stars, Motion Picture Mothers, Hollywood, 1970. (A collection of recipes by Hollywood stars including Liberace, Bing Crosby, Joan Crawford, Lana Turner, Katharine Ross, Mary Tyler Moore, Don Knotts, and more)
- Joy of Liberace: Retro Recipes from America's Kitchiest Kitchen, by Michael Feder and Karan Feder. Angel City Press, 2007 (hardcover)
- Delicious Recipes from Liberace's #1 Cook, by Gladys Luckie
- The Ghost of Liberace – New Writing Scotland 11 (an anthology), A.L Kennedy (editor) and Hamish Whyte (editor), Association for Scottish Literary Studies, 1993 (paperback)
- Why My Mother Likes Liberace: aA Musical Selection, by Diane Wakoski. (Comparing poetry to music: 13 poems by Wakoski, with line drawings of pianos by Rebecca Gaver). Sun / Gemini Press, Tucson, Arizona, 1985
- The First Time: 28 Celebrities Tell About Their First Sexual Experiences, by Karl Fleming and Anne Taylor Fleming. Descriptions by Liberace, Debbie Reynolds, Art Buchwald, Erica Jong, Jack Lemmon, Loretta Lynn, Dyan Cannon, Joan Rivers, Dr. Spock, Irving Wallace, Mae West, and 17 others. Berkley Medallion, 1976 (paperback)
- Liberace Christmas Music: A Guide to Cassettes, Compact Discs, Music Scores, Piano Rolls, and Sound Recordings, by Karl B Johnson, John Carlson Press
- The Liberace Collection, 263 page Auction Catalogue jointly produced by Butterfield & Butterfield and Christie's, Los Angeles Convention Centre, 1988
Music books 
- Liberace Deluxe Big Note Song Book, Shattinger International Music, New York, 1977 (Spirax paperback)
- Liberace by Candlelight – Piano Music of Liberace, Edwin H. Morris & Co. (paperback)
- Liberace Popular Standards, New York: Charles Hansen Music & Books
- Liberace: Your Personal Fashion Consultant, by Michael Feder and Karan Feder. Abrams Image, 2007 (paperback)
- The line "And now for my next number, I'd like to return to the classics" made famous by Liberace is prominently used as a sample in many songs produced by artists in the late 1980s and onwards.
- "Ancestry of Liberace"
- Barker, 2009, p. 367.
- Barker, 2009, p. 12.
- Pyron, 2000, p. 1.
- Pyron, 2000, p. 12.
- Pyron, 2000, p. 17.
- Pyron, 2000, p. 42.
- Pyron, 2000, p. 35.
- Pyron, 2000, p. 63.
- Pyron, 2000, p. 57.
- Pyron, 2000, pp. 46–54.
- Pyron, 2000, p. 66.
- Pyron, 2000, p. 77.
- Pyron, 2000, pp. 90–94.
- Pyron, 2000, p. 96.
- Pyron, 2000, p. 79.
- Pyron, 2000, p. 115.
- Pyron, 2000, p. 139.
- Pyron, 2000, p. 161.
- Pyron, 2000, p. 162.
- Pyron, 2000, p. 180.
- Pyron, 2000, p. 272.
- Pyron, 2000, p. 281.
- Pyron, 2000, p. 292.
- Pyron, 2000, p. 7.
- Pyron, 2000, pp. 165–67.
- Pyron, 2000, p. 168. "Thank you for your very amusing review. After reading it, in fact, my brother George and I laughed all the way to the bank."
- Smith, Chrysti M. (2006). Verbivore's Feast: Second Course: More Word & Phrase Origins. Farcountry Press. p. 84. ISBN 1-56037-402-0.
- Pyron, 2000, p. 278.
- Pyron, 2000, p. 132.
- Pyron, 2000, p. 141.
- Pyron, 2000, p. 145.
- Pyron, 2000, p. 154.
- Pyron, 2000, p. 156.
- Pyron, 2000, p. 175.
- Pyron, 2000, figure 25
- Pyron, 2000, p. 250.
- Pyron, 2000, p. 280.
- Pyron, 2000, pp. 255, 269.
- Pyron, 2000, p. 270.
- Callan 1990a, p. 138
- Danny La Rue (1987). Drags to Riches: My Autobiography. Penguin Books. p. 137. ISBN 978-0-140-09862-4.
- Pyron, 2000, p. 202.
- "WrestleMania I: Celebrities". wwe.com. March 31, 1985. Retrieved April 9, 2013.
- Pyron, 2000, p. 124.
- Pyron, 2000, p. 157.
- Pyron, 2000, p. 153.
- "Yearn-Strength Five", Daily Mirror, September 26, 1956, p. 6.
- "High Court Of Justice; Queen's Bench Division, "I Don't Care What My Readers Think", Liberace V. Daily Mirror Newspapers Ltd". The Times. June 12, 1959. p. 16. "They all say that this deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavoured, mincing, ice-covered heap of mother love has had the biggest reception and impact on London since Charlie Chaplin arrived at the same station, Waterloo, on September 12, 1921."
- Barker, 2009.
- Cry all the way to the bank. World Wide Words.
- Pyron, 2000, p. 211.
- Liberace had last laugh on critics by 'crying all the way to the bank' The Pittsburgh Press, Feb 5, 1987
- CNN LARRY KING LIVE: Interview With Scott Thorson CNN, Aug 12, 2002
- Kelly, Jon. "BBC News - What Liberace reveals about the march of gay rights". Bbc.co.uk. Retrieved April 16, 2013.
- Pyron, 2000, p. 210.
- CNN Official Interview: Betty White: Bea Arthur was not fond of me. youtube.
- "Live Appearances". Liberace Foundation and Museum. 2009. Retrieved September 18, 2010.
- Barron, James (February 5, 1987). "Liberace, Flamboyant Pianist, Is Dead". The New York Times.
- Pyron, 2000, p. 401.
- Nelson, Harry (February 10, 1987). "Liberace Died Of Pneumonia Caused by AIDS". Los Angeles Times. Retrieved February 6, 2012.
- Liberace AIDS confirmed The Pittsburgh Press, Feb 10, 1987
- Pyron, 2000, p. 369.
- Petrucelli, Alan. "Morbid Curiosity: The Disturbing Demises of the Famous and Infamous". books.google.com. Retrieved April 9, 2013.
- Never, Johns (June 20, 2009). "Forest Lawn Cemetery - Liberace Tomb 01". flickr.com. Retrieved April 9, 2013.
- Tell the USPS to Recognize Liberace with a Stamp! (July 7, 2011). "Liberace’s Tivoli Gardens Restaurant Now Closed « Tell the USPS to Recognize Liberace with a Stamp!". Liberacedeservesastamp.wordpress.com. Retrieved April 10, 2012.
- See Liberace: Behind The Music; www.imdb.com.
- Hal Erickson, Review of Liberace: Behind The Music; www.allmovie.com.
- Liberace Museum sells shoes inspired by 'King of Bling' Taylor A, Spring Valley View, January 22, 2008
- "Palm Springs Walk of Stars by date dedicated" (PDF). Retrieved April 16, 2013.
- "Behind the Candelabra: The Secret Life of Liberace". The New York Times. 2013.
- "Douglas, Damon starring in HBO's Liberace biopic". Content.usatoday.com. October 11, 2011. Retrieved April 16, 2013.
- EarlyWord March 20, 2013
- "2013 Official Selection". Cannes. 18 April 2013. Retrieved 18 April 2013.
- Callan, Michael Feeney (1990). Richard Harris: A Sporting Life. London: Sidgwick & Jackson Limited. ISBN 978-0-283-99913-0.
|Wikimedia Commons has media related to: Liberace|
- Liberace at the Internet Movie Database
- The Liberace Foundation
- Liberace video footage after winning the case against the Daily Mirror
- Excerpts from Cassandra's column
- Transcript of CNN interview with Scott Thorson about his time with Liberace
- Yesterday's News: June 18, 1959: Liberace wins libel suit
- Liberace's Greatest Songs DVD review and history of Liberace's syndicated television series.
- Liberace Museum To Close
- Pathe News Liberace Film Collection