Griselda (anglicised to Grizzel and similar forms) is a figure from certain folklores whose name is synonymous with patience and obedience. In the tale as written by Giovanni Boccaccio, Griselda marries Gualtieri, the Marquis of Saluzzo. He tests her by declaring that their first child—a daughter—must be put to death, likewise their second child—a son. Griselda obediently gives up both of them without protest, while Gualtieri secretly sends them away to Bologna to be raised rather than killed. In a final test, Gualtieri publicly renounces Griselda, claiming he has been granted papal dispensation to divorce her and marry a better woman; she goes to live with her father. Some years later, Gualtieri announces he is to remarry and recalls Griselda as a servant to prepare the wedding celebrations. He introduces her to a twelve-year old girl he claims is to be his bride but who is really their daughter; Griselda wishes them well. At this, Gualtieri reveals their grown children to her and Griselda is restored to her place as wife and mother.
Griselda occurs in tales by Petrarch and Chaucer (The Clerk's Tale in the Canterbury Tales). Patient Griselda is a tale by Charles Perrault. John Phillips's play Patient Grissel dates from 1565, and Henry Chettle, Thomas Dekker, and William Haughton collaborated on another dramatic version, Patient Grissil, first performed in 1599. There are operas named Griselda by Alessandro Scarlatti (La Griselda, 1721), Giovanni Bononcini (Griselda, 1722), and Antonio Vivaldi (Griselda, 1735). The Modern Griselda is a novel by Maria Edgeworth from 1804. Patient Griselda is one of a group of historical or legendary dinner-party guests in Caryl Churchill's 1982 play Top Girls.
See also 
|Wikimedia Commons has media related to: Griselda|