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Ghost Dog: The Way of the Samurai
Ghost Dog.jpg
Theatrical Release Poster
Directed by Jim Jarmusch
Produced by Richard Guay
Jim Jarmusch
Written by Jim Jarmusch
Starring Forest Whitaker
Music by RZA
Cinematography Robby Müller
Editing by Jay Rabinowitz
Distributed by Artisan Entertainment
Release dates May 18, 1999
Running time 116 minutes
Country United States
Language English
Budget $2 million
Box office $9,380,473

Ghost Dog: The Way of the Samurai is a 1999 American crime action film written and directed by Jim Jarmusch. Forest Whitaker stars as the title character, the mysterious "Ghost Dog", a hitman in the employ of the Mafia, who follows the ancient code of the samurai as outlined in the book of Yamamoto Tsunetomo's recorded sayings, Hagakure. Critics have noted similarities between the movie and Jean-Pierre Melville's 1967 film Le Samouraï.

Plot[edit]

Ghost Dog (Whitaker) sees himself as a retainer of Louie (John Tormey), a local mobster, who saved Ghost Dog's life years ago. While living as a hired hitman for the Italian Mafia, he strictly follows Hagakure.

Louie tells Ghost Dog to kill a gangster, Handsome Frank, who is sleeping with the daughter (Tricia Vessey) of the mafia boss Vargo (Henry Silva). Ghost Dog arrives and kills the gangster, before seeing that the girl is also in the room at the time; she lends him a book; he leaves her alive, and exits. In order to avoid being implicated in the murder of a made man, Vargo and his associate Sonny Valerio decide to get rid of Ghost Dog. Louie knows practically nothing about Ghost Dog, and the hitman communicates only by homing pigeon. The mobsters start by tracing all the pigeon coops in town. They find Ghost Dog's cabin atop a building and kill his pigeons. Ghost Dog realizes he must kill the entire mafia or otherwise they will kill him and his master.

During the day, Ghost Dog frequently visits the park to see his best friend, a Haitian ice cream salesman named Raymond (Isaach De Bankolé) who speaks only French. Ghost Dog does not understand French and Raymond does not understand English, but the two seem to understand each other. Ghost Dog also makes friends with a little girl named Pearline (Camille Winbush), to whom he lends the book—Rashōmon and Other Stories—he received from Vargo's daughter. Paralleling a major theme of Rashōmon, Louie and Ghost Dog have different accounts of the circumstances of their meeting: in Louie's flashback he shoots Ghost Dog's attacker in self-defense, while in Ghost Dog's flashback, Louie shoots the attacker just as the attacker is about to kill Ghost Dog.

Eventually, Ghost Dog attacks Vargo's mansion single-handedly and kills almost everyone he encounters, sparing only Louie and Vargo's daughter. Though Louie feels some loyalty to Ghost Dog, he also feels that he must avenge the murder of boss Vargo, but it was stated that Vargo's daughter ordered him to murder Ghost Dog. At night, Ghost Dog kills Sonny Valerio in his house, shooting a bullet through Valerio´s bathroom pipe.

Louie finally confronts Ghost Dog at Raymond's ice cream stand with Raymond and Pearline watching, after he gave his copy of Hagakure to the latter. Ghost Dog is unwilling to attack his master and allows Louie to kill him. His last act is to give Louie the copy of Rashōmon and encourage him to read it.

Cast[edit]

Production[edit]

The film was shot mostly in Jersey City, New Jersey, but the movie never mentions where the story is set. License plates reveal it is in "The Industrial State"[1] and a vehicle from another state has on its license plate "The Highway State", both of which are fictional state nicknames.

Cartoons are also used as a metaphor to scene or plot dynamics. Handsome Frank watches a cartoon featuring Betty Boop corralling her pigeons moments before Ghost Dog, a fellow pigeon raiser, arrives to assassinate him. Ghost Dog is later seen handling his pigeons in the same manner as Betty. Boss Vargo watches a Felix the Cat cartoon wherein the Professor voices his frustration at capturing the elusive Felix and his magic bag, mirroring the mafia's inability to find and eliminate Ghost Dog, who carries his weapons and equipment in a black briefcase. Vargo and his daughter, Louise, watch a Woody Woodpecker cartoon in the car, immediately after Ghost Dog has been distracted by a woodpecker while sniping in the woods. The cartoon features a staring contest between Woody and the Grim Reaper. Vargo's daughter watches The Itchy & Scratchy Show before the equally violent battle which concludes the film.

Reception[edit]

Critical response to the film was largely positive. On the Rotten Tomatoes review site, the film received an 81% "Certified Fresh" rating. The critical consensus was that the movie is "An innovative blend of samurai and gangster lifestyles."[2] The film was nominated for a few awards but did not win any of them. Among the nominations were the Grand Prix of the Belgian Syndicate of Cinema Critics, the César Award for Best Foreign Film of 2000[3] and the Palme d'Or award at the 1999 Cannes Film Festival.[4] The film grossed a worldwide total of $9,380,473, of which $3,308,029 was in the United States.[5]

Casting notes[edit]

Gary Farmer is credited as playing a character named "Nobody", the same name as his character in Jarmusch's 1995 western Dead Man. After he is confronted by some mob hitmen on his roof, Nobody repeats one of his lines from Dead Man: "stupid fucking white man!" Forest Whitaker's younger brother Damon Whitaker plays the role of the young Ghost Dog in the flashback sequences.

Soundtrack[edit]

The Japanese release of the soundtrack album has different tracks from the US release.

The film's score and soundtrack is the first produced by the Wu-Tang Clan's RZA.

US and Japanese versions of the soundtrack album have been released, each with a different set of tracks. The Japanese release also has some songs not in the film.[6] Songs in the film that don't appear on either soundtrack album include From Then Till Now performed by Killah Priest, Armagideon Time performed by Willi Williams, Nuba One performed by Andrew Cyrille and Jimmy Lyons and Cold Lampin With Flavor performed by Public Enemy.[7]

Cultural references[edit]

The film has been interpreted by critics as an homage to Le Samouraï, a 1967 crime-drama by Jean-Pierre Melville starring Alain Delon. That movie opens with a quote from an invented Book of Bushido and features a meditative, loner hero, Jef Costello. In the same manner that Ghost Dog has an electronic "key" to break into luxury cars, Costello has a huge ring of keys that enable him to steal any Citroën DS.[8][9] The endings share a key similarity. Moreover, the peculiar relationship between the heroes of both movies and birds, companions and danger advisers, is another common point.

The film contains a number of references to Seijun Suzuki's Branded to Kill, such as when a bird lands in front of Ghost Dog's rifle scope, referencing the incident with a butterfly in Suzuki's film.[10] Ghost Dog shooting Sonny Valerio up the drain pipe is taken directly from Branded to Kill. The movie was adapted into a role-playing game by Canadian game publisher Guardians of Order. The game focused on two person (one player and one Game Master) group play and resource information about the movie and the real-life Mafia.[11]

In the song "Stay Schemin'" rapper French Montana mentions "Pigeons on the roof like Ghost Dog" alluding to this movie but also creating a double entendre as "pigeons" is a slang term for packages of cocaine.

References[edit]

  1. ^ "Cold Warrior Jeannette Catsoulis on Ghost Dog: The Way of the Samurai". reverse shot. 2005. Retrieved 2006-10-13. 
  2. ^ "Ghost Dog: The Way of the Samurai". Rotten Tomatoes. 1999. Retrieved 2006-08-30. 
  3. ^ "Awards for Ghost Dog: The Way of the Samurai". Internet Movie Database. 2001. Retrieved 2006-08-30. 
  4. ^ "Festival de Cannes: Ghost Dog: The Way of the Samurai". festival-cannes.com. Retrieved 2009-10-06. 
  5. ^ "Ghost Dog: The Way of the Samurai". Box Office Mojo. 2006. Retrieved 2006-08-30. 
  6. ^ "Ghost Dog: The Way of the Samurai". Soundtrack Collector. 1999. Retrieved 2006-10-12. 
  7. ^ "Soundtracks for Ghost Dog: The Way of the Samurai". Internet Movie Database. 1999. Retrieved 2006-09-06. 
  8. ^ "Into the Void". Village Voice. March 2000. Retrieved 2007-12-06. 
  9. ^ "Ghost Dog: The Way of the Samurai (2000) Reel Review". Reel.com. Archived from the original on 2007-10-17. Retrieved 2007-12-06. 
  10. ^ Wilonsky, Robert (March 23, 2000). "The Way of Jim Jarmusch". Miami New Times. Retrieved May 7, 2009. 
  11. ^ David L. Pulver & John R. Python, Jr. Ghost Dog Role-Playing Game and Resource Book. ISBN 1-894525-02-7. 

External links[edit]


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20 news items

 
Boston Globe
Sat, 19 Apr 2014 14:00:00 -0700

Ghost Dog: The Way of the Samurai (1999). Jarmusch follows up his western with another lone warrior genre, the samurai film, by way of the gangster movie. Forest Whitaker plays the New Jersey hit man of the title, a soulful killer whose code of bushido ...
 
San Francisco Bay Guardian
Tue, 15 Apr 2014 17:22:30 -0700

Jarmusch has subverted genre films before — you don't have to dig deep to find fierce defenders of 1995 Western Dead Man or 1999 gangster tale Ghost Dog: The Way of the Samurai — but his latest, Only Lovers Left Alive, is poised to be his biggest ...
 
Time Out London
Mon, 31 Mar 2014 02:00:43 -0700

'Ghost Dog: The Way of the Samurai' + 'Only Lovers Left Alive' This Friday the Riverside Studios hosts a cracking Jim Jarmusch double bill. In 1999's 'Ghost Dog: Way of the Samurai' Forest Whitaker is a cunning, pigeon-fancying assassin who lives by ...

New Yorker

Flavorwire
Thu, 10 Apr 2014 09:22:56 -0700

Ghost Dog: The Way of the Samurai: Men who own multiple Wu-Tang albums on vinyl, and multiple Seijun Suzuki films on imported Blu-ray. Coffee and Cigarettes: People who still call each other “Billmurray” in casual conversation and couldn't care less ...
 
Reno News & Review
Thu, 10 Apr 2014 00:09:15 -0700

The most obvious points of reference for the sleazy grandeur of The Raid 2 are 1970s crime films such as The Yakuza and The Killing of a Chinese Bookie, as well as their 1990s offspring, like Reservoir Dogs and Ghost Dog: The Way of the Samurai.

RollingStone.com

RollingStone.com
Fri, 11 Apr 2014 10:50:15 -0700

The Zen genre-bending was taken to further extremes with 1999's Ghost Dog: The Way of the Samurai, an ahead-of-its-time mixture of a movie that synthesized film noir, French crime dramas, Asian martial-arts action sagas, and hip-hop into the story of a ...

Women's Wear Daily

New York Times
Thu, 03 Apr 2014 09:04:05 -0700

... tinder-dry humor — Mr. Jarmusch has applied them to familiar genres, like westerns (“Dead Man,” with Mr. Depp), martial arts-gangster flicks (“Ghost Dog: The Way of the Samurai” with Forest Whitaker) and dark rom-coms (“Broken Flowers,” with Bill ...
 
Dayton Daily News
Tue, 01 Apr 2014 13:15:00 -0700

... role in the award-winning show “The Shield,” appeared in the Oscar-winning drama “Platoon”as well as in a long list of critically acclaimed movies that includes “Good Morning, Vietnam,” “Bird,”“The Crying Game” and “Ghost Dog: The Way of the Samurai.”.
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