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David Quantick (born 14 May 1961, Wortley, South Yorkshire, England)[1] is a freelance journalist, writer and critic who specialises in music and comedy.

Contents

Career history [edit]

David Quantick began writing for the music publication NME in 1983, alongside Danny Baker and Paul Morley. Together with Steven Wells, he contributed to many of the humorous snippet sections in the paper. In addition to rock journalism, he was also submitting gags and sketches to British comedy shows such as Spitting Image.

Quantick built his profile steadily and his name began to appear increasingly often in print, radio and television. In 1992, Armando Iannucci asked him to join the writing team for the Radio 4 spoof news programme On the Hour, after which he made the natural progression to the television follow-up The Day Today (BBC2, 1994). Both shows were highly acclaimed, won awards and marshalled a loyal fan base.

Quantick ceased submitting copy to the NME in 1995, and around this time, he was appearing regularly on Collins and Maconie's Hit Parade (Radio 1, 1994–1997), commenting astringently upon music's stars. This developed into his own named slot in the show, named Quantick's World. His connection with Maconie continued in parallel on the weekly show, The Treatment on BBC Radio Five Live, which was an hour-long satirical news round-up.

In 1995, Carlton Television broadcast a set of 6 pilot television shows, one of which was Now What?. The series was not picked up for development but Quantick found a writing partner through these proceedings in Jane Bussmann. The two went on to write and perform Bussmann & Quantick Kingsize (1998), a series of sketches and monologues for BBC Radio 4.

Quantick rejoined Chris Morris to write for Brass Eye in 1996 (broadcast in 1997). He also wrote for Morris's radio series Blue Jam (Radio 1, 1997) and the subsequent television version Jam (Channel 4, 2000). The 2001 Brass Eye Special attracted so much protest that Government ministers promptly condemned the programme without having seen it.

Throughout this period, he also contributed to less provocative fare such as Smack the Pony (Channel 4, 1999 – 2001), Harry Enfield's Brand Spanking New Show (Sky One, 2000) and could be heard on Radio 4's The 99p Challenge.

In 2000, Quantick and Bussmann created the world's first Internet sitcom Junkies about three heroin addicts.[1] Quantick also claimed it as the first docusitcom (documentary/sitcom). It starred long-time Morris collaborator Peter Baynham, with Sally Phillips (Smack the Pony) and Peter Serafinowicz (Look Around You). The project grew out of the writing pair's frustration with the commissioning process. The average sitcom, they said, costs £200,000 to make and finding funds is too difficult. So they secured the services of cast and crew on a voluntary basis and made a show for less than £4,000. The site received over a million visits in its first eight months of existence.[1]

In 2001, Quantick collaborated with Collins and Maconie again on Lloyd Cole Knew My Father, a live show where the three recounted humorous tales of working as rock journalists. Stories centred on the deflating aspects of the job: the boredom, missing assignments, the idiosyncrasies of fan letters. A performance was later broadcast on Radio 2 as a six-episode serial.

Around this time, Quantick took part in a number of nostalgic list shows on British television themed around decades past: I Love the 1980s and I Love the 1990s etc.

In 2003 and 2005, Quantick contributed material to sketch show That Mitchell and Webb Sound, and co-wrote five series of 15 Minute Musical (2004–08) with Richie Webb, whom he also wrote with on several series of Parsons and Naylor's Pull-Out Sections. He also made several appearances on Clive Anderson's radio panel show We've Been Here Before in 2003 and 2004. 2005 also saw him take part in Channel 4's Come Dine With Me, with four other celebrities. Throughout, Quantick worked on biographies of musicians and comedians (The Clash, Beck, Lenny Bruce, Richard Pryor and Bill Hicks).

Quantick continues to write, and co-presents a weekly programme One Way Single Parent Family Favourites on art radio station Resonance FM. He is also part of the writing team of Harry Hill's TV Burp, and writes and presents series 3 of 'The Blagger's Guide', a six-part comedy series on BBC Radio 2 with writer and producer Simon Poole. He also appears as Doctor Dave Radio on another Radio 2 comedy programme, Radio Rivron.

In 2006, Quantick recorded One — his first solo BBC Radio 4 series. A show in which no sketch featured more than one voice, it received excellent reviews[citation needed] and featured a variety of performers and writers, including Graeme Garden, Bill Oddie, Dan Maier, Kevin Cecil and Jeremy Clarkson. He also made two appearances on the radio show Clive Anderson's Chat Room in 2006 and 2007.

On 3 April 2008, music magazine The Word was forced to apologise in court to Morrissey, over an article by Quantick that accused the singer of racism and hypocrisy.[2] In June 2008, Quantick was recruited as one of the launch presenters of Q Radio, presenting a weekly show. He will also write a column for Q magazine.

Quantick regularly stood in when Stephen Merchant was unavailable for his Sunday afternoon BBC 6 Music radio show, and occasionally stands in for other broadcasters on the station. In 2007, he wrote the Doctor Who audio play 'The Dark Husband' featuring the 7th Doctor, Sylvester McCoy, for Big Finish Productions.

In 2009, Quantick made two more appearances on the radio show Clive Anderson's Chat Room.

In 2012, having worked on the final series of TV Burp, Quantick contributed material to The Thick Of It, continued to write for Rob Brydon, and recorded further editions of The Blagger's Guide for Radio 2. In September of that year, he published an e-book novel, Sparks, described by Neil Gaiman as "excellent"[3]

Bibliography [edit]

  • Dress to Kill by Eddie Izzard, David Quantick et al. (Virgin Books, Hardback, 26 November 1998, ISBN 1-85227-763-7)
  • The Clash (The Music Makers series) (MQ Publications Ltd, Paperback, 27 May 2000, ISBN 1-903318-03-3)
  • Beck (Kill Your Idols series) (Avalon Travel Publishing, Paperback, 18 December 2000, ISBN 1-56025-302-9)
  • Lenny Bruce (The Cutting Edge series) ~David Quantick (Editor) (MQ Publications Ltd, Paperback, 30 November 2001, ISBN 1-903318-30-0)
  • Bill Hicks (The Cutting Edge series) ~David Quantick (Editor) (MQ Publications Ltd, Paperback, 30 November 2001, ISBN 1-903318-27-0)
  • Richard Pryor (The Cutting Edge series) ~David Quantick (Editor) (MQ Publications Ltd, Paperback, 30 November 2001, ISBN 1-903318-28-9)
  • Chris Rock (The Cutting Edge series) ~David Quantick (Editor) (MQ Publications Ltd, Paperback, 30 November 2001, ISBN 1-903318-29-7)
  • Revolution: making of the Beatles White Album (Vinyl Frontier series) (MQ Publications Ltd, Paperback, 26 September 2002, ISBN 1-903318-55-6)
  • Grumpy Old Men (HarperCollins Entertainment), Hardcover, 7 June 2004, ISBN 0-00-718993-1)
  • Grumpy Old Men on Holiday (HarperCollins Entertainment, Hardcover, 16 May 2005, ISBN 0-00-720185-0)
  • Grumpy Old Men: New Year, Same Old Crap (HarperCollins Entertainment, Hardcover, 15 October 2007 ISBN 0-00-724333-2)
  • The Dangerous Book for Middle-Aged Men: The Manual for Managing Mid-Life Crisis (Preface Publishing, Hardcover, 24 September 2009, ISBN 1-84809-200-8)
  • "Sparks" (Kindle ASIN: B0098UTP5E)

References [edit]

  1. ^ a b c "David Quantick Biography". The Internet Movie Database. Retrieved 15 February 2012. 
  2. ^ Owen Boycott "Morrissey accepts 'racism' apology", The Guardian, 3 April 2008
  3. ^ (http://www.amazon.co.uk/Sparks-ebook/dp/B0098UTP5E/ref=cm_cr_pr_pb_t).

External links [edit]


Original courtesy of Wikipedia: http://en.wikipedia.org/wiki/David_Quantick — Please support Wikipedia.
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22 news items

Telegraph.co.uk

Telegraph.co.uk
Tue, 23 Apr 2013 23:00:38 -0700

One-off drama Snodgrass imagines a world where John Lennon walked out of the Fab Four in 1962 over 'musical differences', explains its writer David Quantick. Ian Hart as a John Lennon who never made it as a pop star Photo: Rob Evans/Sky Arts. By David ...
 
Chortle
Sat, 18 May 2013 04:07:52 -0700

She and her regular co-writer David Quantick are credited with creating the world's first internet sitcom in 2000, The Junkies, which was described as 'Friends on heroin' and starred Phillips, Peter Serafinowicz and Peter Baynham as addicts, attracting ...
 
Chortle
Fri, 10 May 2013 07:15:09 -0700

We picked James Martin's (aka @Pundamentalism) for his post: 'There's a party in my pants! Unfortunately it's UKIP.' But it seems that was posted as long ago as October 2011 by Margaret Caborn-Smith. Sanjeev Kohli and comedy writer David Quantick have ...
 
UK Net Guide
Wed, 15 May 2013 09:17:41 -0700

The content of every episode takes its inspiration from the week's news, entertainment and sport stories. The show's writers have a great comic pedigree, with script editor David Quantick having worked on the likes of The Fast Show and Smack The Pony.

Telegraph.co.uk

Telegraph.co.uk
Fri, 26 Apr 2013 04:31:29 -0700

David Quantick's script brilliantly captured Lennon's sneering facetiousness and smarty-pants wordplay. “All right, keep your breakfast on, your corn flakes'll go cold.” Lennon's was the sort of antagonistic humour that is tolerated, even celebrated ...

Big Issue

Big Issue
Mon, 22 Apr 2013 07:25:48 -0700

In 1991's The Hours and Times he explored Lennon's complex relationship with manager Brian Epstein, while 1994's Backbeat depicted the band's chaotic pre-fame Hamburg era. Now Snodgrass, adapted by David Quantick from Ian R MacLeod's short story ...

The Arts Desk

The Arts Desk
Thu, 25 Apr 2013 13:16:14 -0700

Hart has played Lennon twice before and this third outing took him into an imaginary scenario originally created by the writer Ian R MacLeod. The television adaptation was by David Quantick. In short-story form, Snodgrass was a first-person narrative ...

The Independent

The Independent
Thu, 25 Apr 2013 16:08:17 -0700

Snodgrass, David Quantick's drama for Playhouse Presents, imagined a world in which John Lennon had walked out of The Beatles before they made it big. The only zebra crossing he strides over in this universe is the one on the way to the job centre, his ...
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