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The Matisse Chapel.
The Matisse Chapel. The entrance is at the left.

The Chapelle du Rosaire de Vence (Chapel of the Rosary), often referred to as the Matisse Chapel or the Vence Chapel, is a small chapel built for Dominican sisters in the town of Vence on the French Riviera.[1] It was built and decorated between 1949 and 1951 under a plan devised by Henri Matisse.[2] It houses a number of Matisse originals and was regarded by Matisse himself as his "masterpiece". While the simple white exterior has drawn mixed reviews from casual observers, many regard it as one of the great religious structures of the 20th century.


In 1941, Matisse, who lived most of the year in Nice in the south of France, developed cancer and underwent surgery. During the long recovery he was particularly helped by a young part-time nurse, Monique Bourgeois, who had answered his advertisement seeking "a young and pretty nurse"[3] and who took care of Matisse with great tenderness. Matisse asked her to pose for him, which she did, and several drawings and paintings exist. In 1943 Bourgeois decided to enter the Dominican convent in Vence, a nearby hill town to Nice, and she became Sister Jacques-Marie. Matisse eventually bought a home at Vence, not far from the convent where the young nun was stationed. She visited him and told him of the plans the Dominicans had to build a chapel beside the girls' high school which they operated in Vence. She asked Matisse if he would help with the design of the chapel. He had never done anything like it, but Matisse agreed to help, beginning in 1947. Father Marie-Alain Couturier, who collaborated on several artistic Catholic churches after World War II, was also involved in the project.

At the age of 77, Matisse began the greatest project of his life and spent more than four years working on the chapel, its architecture, stained glass windows, interior furnishings, murals, and the vestments of the priests. It is perhaps the greatest ensemble artwork of the 20th century, and certainly the greatest religious commission.[citation needed] While Matisse had been baptized a Catholic, he had not practiced the religion for many years. He designed the chapel as an artistic challenge.

The story of the friendship and collaboration of Matisse and Sister Jacques Marie is related in her 1992 book Henri Matisse: La Chapelle de Vence (ISBN 2909767000) and in the 2003 documentary Model for Matisse.[3] Sister Jacques Marie died in 2004, aged 84.


The chapel is built on a hillside and one enters by descending a flight of stairs, and then turning to the right. The chapel is in an L shape, with the longer portion directly inside the door. The altar is placed at an angle where the two legs of the L join. The chapel is 15 meters long by 6 meters wide. The longer/larger segment is for the students or townspeople; the shorter section was for the nuns who lived and taught at the school. Both sides face the altar.[4]


The altar is made of warm brown stone, chosen for its resemblance to the color of bread and the Eucharist. Matisse also designed the bronze crucifix on the altar, the candle holders in bronze, and the small tabernacle. The wrought iron candle holder with a flame always burning and hanging from the ceiling was made by local craftsmen who have a special tradition of making wrought iron.

Stained glass windows[edit]

There are three sets of stained glass windows, upon which Matisse spent a great deal of time. All three sets make use of just three colors: an intense yellow for the sun, an intense green for vegetation and cactus forms, and a vivid blue for the Mediterranean Sea, the Riviera sky and the Madonna. The two windows beside the altar are named the "Tree of Life," but the forms are abstract. The color from the windows floods the interior of the chapel, which is otherwise all white.

Three great murals[edit]

For the walls, Matisse designed three great murals to be made by painting on white tiles with black paint and then firing the large sections of tile. Each tile measures 12 in.2. Matisse was so crippled with ailments by this time that he could only work from a wheelchair, and he had a long stick with a brush strapped to his arm and pieces of construction paper placed on the wall. He then drew the images, which were transferred to tiles by skilled craftsmen.

St. Dominic[edit]

Behind the altar is a large image of St. Dominic, founder of the Order of Preachers and by tradition founder of the practice of the rosary for Catholics. He was a 13th-century wandering preacher from Spain. His followers wear a white garment, or habit, with a white scapular hanging straight down the front. The simplest but most powerful of lines was created by Matisse to depict the saint.

Virgin and child[edit]

On the side wall there are abstract images of flowers and an image of the Madonna and Child, all created in black outlines on the white tiles. Rather than clasping the child to herself, as she is usually depicted, Matisse chose to show Mary offering her son to the whole world.

Stations of the cross[edit]

On the back wall of the chapel are the traditional 14 stations of the cross. Although the 14 stations are usually depicted individually, Matisse incorporated all of them on one wall in one cohesive composition. The series begins at the bottom left as Jesus is brought before Pilate and condemned. The stations follow Jesus' progress carrying the cross. At the top in the center are the three most powerful images - The Raising of the Cross with Jesus' body nailed to it, the actual Crucifixion, and then Taking the Body of Jesus Down. The center panel has a straight vertical and horizontal composition, while the two surrounding stations have strong diagonal lines leading to the head of Jesus on the cross.

Sets of vestments[edit]

Matisse also designed the priests' vestments for the chapel, using the traditional ecclesiastical colors of the religious seasons: purple, black, pink/rose, green, and red. The Pope requested that the nuns send the vestments to Rome to be put in the Vatican's new museum of modern religious art. The nuns made copies of five of the sets of vestments, including chasubles, maniples, stoles, and coverings of the chalice, and sent them to Rome.

Remaining area[edit]

The outside of the chapel is white. The top of the roof is decorated with a blue-and-white zigzag pattern and carries an elaborate metal cross with a bell.

There is a small gift shop associated with the chapel where visitors may purchase postcards and other mementos of the chapel; income goes to support the nuns and the chapel. There are also two doors in carved wood, designed by Matisse, for the confessionals. Along the hallway to the gift shop are photos of Matisse designing the chapel. There are also some of Matisse's original sketches for the Stations and vestments.

Maquettes for all the vestments made, as well as for a number never actualized, were made by Matisse on brown wrapping paper and black construction paper. They can be seen in the Pompidou Center in Paris.

The high school has been closed for a number of years and only a few elderly nuns still live there.

See also[edit]


  1. ^ http://www.bartleby.com/65/ma/Matisse.html , website, accessed July 30, 2006
  2. ^ http://www.mystudios.com/art/modern/matisse/matisse.html website, accessed July 30, 2006
  3. ^ a b French Professor Directs "Model for Matisse", Carnegie Mellon Today, 30 June 2003
  4. ^ Billot, Marcel, ed.; "Henri Matisse: The Vence Chapel, The Archive of a Creation," (Skira:1999)

External links[edit]

Coordinates: 43°43′39″N 7°6′46″E / 43.72750°N 7.11278°E / 43.72750; 7.11278

Original courtesy of Wikipedia: http://en.wikipedia.org/wiki/Chapelle_du_Rosaire_de_Vence — Please support Wikipedia.
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27 news items

Santa Fe New Mexican

Santa Fe New Mexican
Fri, 13 Mar 2015 04:08:28 -0700

Bell was a staunch Catholic, and Matisse had done a number of pieces for the Chapelle du Rosaire de Vence. I was looking at those images and wanted to put them in a different context. Little details in the paintings are part of the experience. Even ...

Patheos (blog)

Patheos (blog)
Fri, 17 Oct 2014 01:18:46 -0700

I've never been to the Chapelle du Rosaire de Vence. But I have been inside the chapel room that is part of Henri Matisse: The Cut-Outs, currently on exhibit at the Museum of Modern Art in New York City. You do get some sense, in the museum, of what it ...


Mon, 06 Oct 2014 03:42:45 -0700

To the Chapelle du Rosaire de Vence (4 93 58 03 26; vence.fr/la-chapelle-du-rosaire-chef-d) , Matisse's last great work. I remember going with Judy about five or six years ago and was blown away by it, from the colours of the stained-glass windows to ...
Sat, 20 Sep 2014 11:33:55 -0700

Tommaso Aquilano and Roberto Rimondi love nothing quite so much as an obscure reference. This season it was Henri Matisse's Chapelle du Rosaire de Vence in the South of France, known for its colorful stained-glass windows and its elemental black and ...

Evening Standard

Evening Standard
Wed, 16 Apr 2014 07:40:30 -0700

Striking: the Chapelle du Rosaire de Vence designed by Matisse (Picture: Alamy) The Tate show has loans of these designs— but nothing can compare to the chapel itself, created as a thank you to a Dominican nun who nursed him, which opened in 1951.

Francetv info

Francetv info
Fri, 07 Nov 2014 03:41:18 -0800

L'oeuvre sacrée : la Chapelle du Rosaire de Vence En 1943, sous la menace des bombardements, Henri Matisse est contraint de quitter Nice et s'installe à la Villa "Le Rêve" à Vence. "Une belle terrasse, avec une grande balustrade abondamment doublée ...
PR Web (press release)
Wed, 18 Jun 2014 08:11:15 -0700

This is a wonderful opportunity to see his preparation of final pieces of work, including pieces from his salon and of course a panel of the stained glass, prepared for the window of the Chapelle du Rosaire de Vence, regarded by Matisse as his masterpiece.
L'Orient-Le Jour
Thu, 21 Aug 2014 15:07:30 -0700

On y retrouve notamment les Quatre nus bleus, « clou de la visite » qui se termine par Nuit de Noël, la maquette en vitrail pour la chapelle du Rosaire de Vence, mais aussi une vidéo montrant l'artiste dans son atelier, découpant les papiers colorés à ...

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