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Courtesy of Musopen

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The "Bridal Chorus" ("Treulich geführt" in German), from the 1850 opera Lohengrin, by German composer Richard Wagner, is a march played for the bride's entrance at many formal weddings throughout the Western world. In English-speaking countries it is generally known as "Here Comes the Bride" or "Wedding March," though, actually, "wedding march" refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's "Wedding March." The piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.[1]

The chorus is sung in Lohengrin by the women of the wedding party after the ceremony, as they accompany the heroine Elsa to the bridal chamber.

Text[edit]

Although at most weddings the chorus is usually played without vocal singing (usually on an organ, if there is any), in Lohengrin the wedding party sings these words at the beginning of Act Three:

Treulich geführt ziehet dahin,
wo euch der Segen der Liebe bewahr'!
Siegreicher Mut, Minnegewinn
eint euch in Treue zum seligsten Paar.
Streiter der Tugend, schreite voran!
Zierde der Jugend, schreite voran!
Rauschen des Festes seid nun entronnen,
Wonne des Herzens sei euch gewonnen!
Duftender Raum, zur Liebe geschmückt,
nehm' euch nun auf, dem Glanze entrückt.
Treulich geführt ziehet nun ein,
wo euch der Segen der Liebe bewahr'!
Siegreicher Mut, Minne so rein
eint euch in Treue zum seligsten Paar.
Faithfully guided, draw near
to where the blessing of love shall preserve you!
Triumphant courage, the reward of love,
joins you in faith as the happiest of couples!
Champion of virtue, proceed!
Jewel of youth, proceed!
Flee now the splendour of the wedding feast,
may the delights of the heart be yours!
This sweet-smelling room, decked for love,
now takes you in, away from the splendour.
Faithfully guided, draw now near
to where the blessing of love shall preserve you!
Triumphant courage, love so pure,
joins you in faith as the happiest of couples!

Eight women then sing a blessing to a separate melody.

Wie Gott euch selig weihte, zu Freude weihn euch wir.
In Liebesglücks Geleite denkt lang’ der Stunde hier!

Eventually, the chorus returns with these words, gradually proceeding offstage:

Treulich bewacht bleibet zurück,
wo euch der Segen der Liebe bewahr'!
Siegreicher Mut, Minne und Glück
eint euch in Treue zum seligsten Paar.
Streiter der Tugend, bleibe daheim!
Zierde der Jugend, bleibe daheim!
Rauschen des Festes seid nun entronnen,
Wonne des Herzens sei euch gewonnen!
Duftender Raum, zur Liebe geschmückt,
nahm euch nun auf, dem Glanze entrückt.
Treulich bewacht bleibet zurück,
wo euch der Segen der Liebe bewahr'!
Siegreicher Mut, Minne und Glück
eint euch in Treue zum seligsten Paar.
Faithfully guarded, remain behind
where the blessing of love shall preserve you!
Triumphant courage, love and happiness
join you in faith as the happiest of couples.
Champion of virtue, remain here!
Jewel of youth, remain here!
Flee now the splendours of the wedding feast,
may the delights of the heart be yours!
This sweet-smelling room, decked for love,
has now taken you, away from the splendour.
Faithfully guarded, remain behind
where the blessing of love shall preserve you!
Triumphant courage, love and happiness
join you in faith as the happiest of couples.

Religious attitudes[edit]

Many pastors of the Lutheran Church–Missouri Synod oppose the "Bridal Chorus" because of both pre-First World War Lutheran opposition to the theater and the pagan elements of Wagner's operas.[2] The Roman Catholic Church generally does not use the "Bridal Chorus;" one diocese's guidelines regarding the chorus states that the chorus is a secular piece of music, that it is not a processional to the altar in the opera, and especially that its frequent use in film and television associate it with sentimentality rather than worship.[3]

Media[edit]


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References[edit]

  1. ^ Pleck, Elizabeth Hafkin (2000). Celebrating the Family: Ethnicity, Consumer Culture, and Family Rituals. Harvard University Press. p. 212. Retrieved 201-08-31.  Check date values in: |accessdate= (help)
  2. ^ The Lutheran Church–Missouri Synod. "Wedding March". The Lutheran Church–Missouri Synod. Retrieved November 18, 2007. 
  3. ^ Diocese of San Diego Office of Liturgy and Spirituality (2000). "Guidelines for Wedding Music" (.pdf). Diocese of San Diego. Retrieved November 18, 2007. 

External links[edit]


Original courtesy of Wikipedia: http://en.wikipedia.org/wiki/Bridal_Chorus — Please support Wikipedia.
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Sun, 05 Oct 2014 21:08:23 -0700

There are famous choruses: "Va pensiero" from Verdi's Nabucco, the "Bridal Chorus" from Wagner's Lohengrin, and the "Anvil Chorus" from Trovatore. And there are great moments for the orchestra, too: Bizet's Overture to Carmen, Wagner's "Ride of the ...

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Wed, 08 Oct 2014 15:52:30 -0700

The parents were seated by “Jesu, Joy of Man's Desiring”, by Bach, the wedding party entered to “Air from Water Music” by Handel and the bride entered to “Bridal Chorus” by Wagner. The Liturgy of the Word were read by Pam Walshak and Jasen Walshak ...

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Fri, 26 Sep 2014 05:05:41 -0700

One would be hard pressed to find examples of people who actively dislike music. From the most casual listeners to die hard devotees, music is one of the few uniting aspects amongst we humans. All cultures use music as ceremony. Whether it is the war ...
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